A) Johannes Vermeer B) Anthony van Dyck C) Rembrandt D) Frans Hals
A) 1631 B) 1624 C) 1642 D) 1606
A) Wallace Collection, London B) Louvre, Paris C) Rijksmuseum, Amsterdam D) Uffizi Gallery, Florence
A) Oil on canvas B) Watercolor on paper C) Tempera on panel D) Charcoal on canvas
A) An angry grimace B) A confident smirk C) Belly laughter D) A sad smile
A) Thick impasto only B) Smooth, blended layers C) Loose, visible brushstrokes D) Pointillist dots
A) Delft B) Antwerp C) Haarlem D) Amsterdam
A) Sir Richard Wallace B) King Charles I C) J.P. Morgan D) Catherine the Great
A) Good condition with some aging B) Severely damaged and faded C) Mostly repainted D) Recently restored to new
A) From directly behind B) Even lighting throughout C) From the upper left D) From below
A) Elaborate embroidery and lace B) Jewel-encrusted frame C) Gold leaf background D) Silver paint highlights
A) They engage directly with the viewer B) They look away C) They look upward D) They are closed
A) Claude Monet B) Vincent van Gogh C) Rembrandt D) Leonardo da Vinci
A) Its mythological theme B) Its elaborate costume details C) Its large landscape background D) Its religious subject matter
A) Dutch Golden Age painting B) Italian Renaissance C) Baroque D) French Impressionism
A) Landscape B) Portrait C) Still life D) Historical painting
A) Red B) Green C) Blue D) Black
A) Full frontal B) Profile view C) Three-quarter view D) Seated position
A) Mandarin collar B) Windsor collar C) No collar D) Ruff collar
A) Beret B) Top hat C) No hat D) Wide-brimmed hat
A) 16th century B) 17th century C) 18th century D) 15th century
A) Religious figure B) Royal prince C) Wealthy gentleman D) Poor farmer |