A) Anthony van Dyck B) Johannes Vermeer C) Frans Hals D) Rembrandt
A) 1606 B) 1642 C) 1631 D) 1624
A) Wallace Collection, London B) Louvre, Paris C) Rijksmuseum, Amsterdam D) Uffizi Gallery, Florence
A) Tempera on panel B) Watercolor on paper C) Oil on canvas D) Charcoal on canvas
A) An angry grimace B) A confident smirk C) Belly laughter D) A sad smile
A) Smooth, blended layers B) Pointillist dots C) Thick impasto only D) Loose, visible brushstrokes
A) Antwerp B) Amsterdam C) Haarlem D) Delft
A) Sir Richard Wallace B) King Charles I C) J.P. Morgan D) Catherine the Great
A) Recently restored to new B) Severely damaged and faded C) Good condition with some aging D) Mostly repainted
A) From directly behind B) From below C) From the upper left D) Even lighting throughout
A) Jewel-encrusted frame B) Silver paint highlights C) Gold leaf background D) Elaborate embroidery and lace
A) They engage directly with the viewer B) They look upward C) They look away D) They are closed
A) Claude Monet B) Vincent van Gogh C) Rembrandt D) Leonardo da Vinci
A) Its large landscape background B) Its religious subject matter C) Its mythological theme D) Its elaborate costume details
A) French Impressionism B) Dutch Golden Age painting C) Italian Renaissance D) Baroque
A) Landscape B) Portrait C) Historical painting D) Still life
A) Blue B) Red C) Green D) Black
A) Full frontal B) Profile view C) Seated position D) Three-quarter view
A) No collar B) Windsor collar C) Mandarin collar D) Ruff collar
A) Beret B) Top hat C) No hat D) Wide-brimmed hat
A) 15th century B) 16th century C) 17th century D) 18th century
A) Royal prince B) Wealthy gentleman C) Religious figure D) Poor farmer |