A) Sending unsolicited audition tapes.
B) Moving to a circus hotspot without a plan.
C) Immediately buying juggling equipment.
D) Researching different circus companies and roles.

A) Physical Fitness
B) Clowning
C) Acrobatics
D) Advanced Calculus

A) Becoming a taxidermist.
B) Collecting rare stamps.
C) Joining a local circus school or training program.
D) Writing a strongly worded letter to the mayor.

A) Consistent physical conditioning and injury prevention.
B) Ignoring pain and pushing through injuries.
C) Avoiding stretching and warm-ups.
D) Relying solely on natural talent.

A) Sending a handwritten letter.
B) Showing up unannounced at a performance.
C) Posting blurry cell phone videos online.
D) Creating a professional quality demo reel or portfolio.

A) It's irrelevant, as talent speaks for itself.
B) It involves bribing circus officials.
C) It's only for managers and directors.
D) It's essential for finding opportunities and building relationships.

A) Your social security number.
B) Relevant skills, training, and performance experience.
C) A list of your favorite movies.
D) Your high school GPA.

A) To sabotage the competition.
B) To get free tickets to the show.
C) To critique the current performers.
D) To demonstrate your skills and suitability for a role.

A) Software Engineer
B) Dental Hygienist
C) Actuary
D) Rigger

A) Take it constructively and use it to improve.
B) Write a scathing review of the circus.
C) Argue with the judges about their assessment.
D) Ignore it completely.

A) A rejection notice.
B) A second audition, indicating strong initial interest.
C) A threat of legal action.
D) A request for money.

A) Physical flexibility is unimportant.
B) Circus work often involves travel and adapting to new environments.
C) Circus schedules are always rigid and predictable.
D) You must be able to bend over backwards to please everyone.

A) Papercuts
B) Boredom
C) Falls
D) Sunburn

A) Car insurance
B) Health and accident insurance.
C) Pet insurance
D) Travel insurance for travel to the moon

A) To clean up after the elephants.
B) To represent performers and negotiate contracts.
C) To write the circus's social media posts.
D) To sell popcorn at the show.

A) A document specifying the technical requirements for a performance.
B) A description of the performer's costume.
C) A map of the circus grounds.
D) A list of the performer's favorite snacks.

A) Teamwork only matters for animal handlers.
B) Circus performers are all solitary and independent.
C) Teamwork is just a management buzzword.
D) Many acts require collaboration and trust among performers.

A) To write the music for the show.
B) To coordinate the technical aspects of a performance.
C) To design the costumes.
D) To train the animals.

A) Identifying potential audience members.
B) Providing physical support to prevent falls.
C) Cleaning the stage.
D) Shining a spotlight on the performer.

A) The main tent where the circus performs.
B) A large hat worn by the ringmaster.
C) A secret code used by circus performers.
D) The name of the circus's accounting department.

A) The void.
B) The dungeon
C) The lot.
D) The attic

A) Ignore it and hope it goes away.
B) Try to fix it yourself without proper training.
C) Take a picture and post it on social media.
D) Report it immediately to the appropriate authorities.

A) To avoid annoying the stage manager.
B) To ensure safety and prevent accidents.
C) To make it look shiny.
D) Because it's fun.

A) Cultural sensitivity is only important for clowns.
B) Circuses often travel internationally and interact with diverse audiences.
C) Circuses are culturally homogenous and don't require sensitivity.
D) Ignoring other cultures is a circus tradition.

A) Liability clauses.
B) Which animals the artist likes most.
C) How many ice cream scoops the artist gets per day.
D) A clause requiring the artist to wear silly hats at all times.

A) Use of only pre-1900s technology.
B) Theatrical storytelling.
C) Exclusively showcasing animal acts.
D) Complete lack of any narrative structure.

A) Engage in a shouting match with the heckler.
B) Throw something at the heckler.
C) Cry.
D) Ignore it or handle it with humor and professionalism.

A) Drinking large amounts of alcohol.
B) Pretending the audience is made of vegetables.
C) Practice and mental preparation techniques.
D) Hiding backstage until the show is over.

A) Panic and run off stage.
B) Improvise gracefully and try to get back on track.
C) Start reciting the alphabet backwards.
D) Blame someone else for the mistake.

A) Raise your concerns with management before accepting the position.
B) Silently sabotage the unsafe practices.
C) Ignore your concerns and hope for the best.
D) File a lawsuit immediately, even without evidence.