A) A type of musical scale B) A type of musical form C) A group of notes played together D) A percussion instrument
A) A note to be played very loud B) A period of silence C) A fast tempo D) A high-pitched note
A) A short musical idea or melodic theme B) A type of percussion instrument C) A type of musical scale D) A long musical composition
A) The speed at which music is played B) A type of musical form C) A very short musical phrase D) A central idea or subject that is developed in a musical composition
A) A type of musical form B) A very slow tempo C) A single-line texture D) Music with two or more independent melody lines
A) The tempo of a piece B) The dynamics of a piece C) The key or tonic center of a piece of music D) The melody of a piece
A) A gradual increase in volume B) A fast tempo C) Playing all notes with a staccato articulation D) A type of musical form
A) A gradual decrease in volume B) A slow tempo C) A type of musical scale D) A very short musical phrase
A) A type of musical scale B) A type of musical form C) Playing very loudly D) Tempo flexibility within a musical piece
A) Ludwig van Beethoven B) Joseph Haydn C) Wolfgang Amadeus Mozart D) Antonio Vivaldi
A) Soprano B) Bass C) Tenor D) Alto
A) Ludwig van Beethoven B) Franz Schubert C) Claude Debussy D) Johann Sebastian Bach
A) Tone color B) Tempo C) Texture D) Form
A) Pitch B) Texture C) Dynamics D) Timbre
A) Four B) Three C) Five D) Two
A) Dolce B) Presto C) Largo D) Allegro
A) Maurice Ravel B) Claude Debussy C) Erik Satie D) Camille Saint-Saëns
A) Camille Saint-Saëns B) Claude Debussy C) Georges Bizet D) Hector Berlioz
A) Cadence B) Rhythm C) Pitch D) Timbre
A) Franz Joseph Haydn B) George Frideric Handel C) Antonio Vivaldi D) Johann Sebastian Bach
A) Igor Stravinsky B) Sergei Prokofiev C) Pyotr Ilyich Tchaikovsky D) Dmitri Shostakovich
A) Motif B) Symphony C) Canon D) Cadence
A) Claude Debussy B) Igor Stravinsky C) Sergei Prokofiev D) Pyotr Ilyich Tchaikovsky
A) Wolfgang Amadeus Mozart B) Giuseppe Verdi C) Georges Bizet D) Richard Wagner
A) Alexander Borodin B) Modest Mussorgsky C) Jean Sibelius D) Edvard Grieg
A) George Frideric Handel B) Henry Purcell C) Johann Pachelbel D) Domenico Scarlatti
A) Binary form B) Aria, Recitative, Aria C) Theme and variations D) Exposition, Development, Recapitulation
A) Tempo B) Timbre C) Rhythm D) Dynamics
A) Verse B) Refrain C) Chorus D) Bridge
A) Philip Glass B) Aaron Copland C) John Cage D) Samuel Barber
A) Concerto B) Sonata C) Etude D) Symphony
A) Soloist B) Ensemble C) Orchestra D) Choir
A) Syncopation B) Counterpoint C) Timbre D) Harmony
A) Igor Stravinsky B) Johann Strauss II C) Frederic Chopin D) Pyotr Ilyich Tchaikovsky
A) Adagio B) Ostinato C) Intermezzo D) Arpeggio
A) A sustained note B) A concluding section C) A gradual increase in volume D) A fast tempo
A) Claude Debussy B) Richard Wagner C) Gustav Mahler D) Giuseppe Verdi
A) Arco B) Accompaniment C) Adagio D) A cappella
A) Slow B) Fast C) Loud D) Soft
A) Engelbert Humperdinck B) Georges Bizet C) Richard Strauss D) Giacomo Puccini
A) Crescendo B) Decrescendo C) Legato D) Fermata
A) Johann Sebastian Bach B) Antonio Vivaldi C) Wolfgang Amadeus Mozart D) Franz Joseph Haydn |