A) Paris B) Vienna C) Berlin D) Bonn
A) Cello B) Violin C) Piano D) Flute
A) Symphony No. 3 B) Symphony No. 5 C) Symphony No. 7 D) Symphony No. 9
A) Romantic and Modern B) Medieval and Renaissance C) Baroque and Classical D) Classical and Romantic
A) Symphony No. 5 B) Symphony No. 7 C) Symphony No. 9 D) Symphony No. 3
A) Für Elise B) Moonlight Sonata C) Eroica Symphony D) Immortal Beloved
A) 1869 B) 1799 C) 1827 D) 1750
A) The Magic Flute B) Fidelio C) Madama Butterfly D) Carmen
A) French B) Italian C) Austrian D) German
A) D major B) F sharp major C) A flat minor D) C minor
A) Napoleon Bonaparte B) Maréchal Ney C) Louis-Alexandre Berthier D) Joachim Murat
A) Christian Gottlob Neefe B) Joseph Haydn C) Johann van Beethoven D) Franz Rovantini
A) Conductor B) Composer C) Kapellmeister (music director) D) Pianist
A) Vienna B) Bonn C) Berlin D) Munich
A) Heinrich Keverich B) Karl Alois, Prince Lichnowsky C) Clemens August D) Johann IX Philipp von Walderdorff
A) Cousin B) Nephew C) Son D) Grandson through his father, who worked at the court
A) Helene von Breuning B) Nannerl Mozart C) Julie Guicciardi D) Maria Magdalena Keverich
A) 15 December 1770 B) 17 December 1770 C) 18 December 1770 D) 16 December 1770
A) Pathétique Sonata B) Moonlight Sonata C) Appassionata Sonata D) Waldstein Sonata
A) 60 B) 65 C) 56 D) 50
A) Eroica Symphony B) Fifth Symphony C) Ninth Symphony D) Bagatelle "Für Elise"
A) First period (up to 1802) B) Middle period (1802–1812) C) Romantic period D) Late period (1812–1827)
A) Ninth Symphony B) Fifth Symphony C) Eroica Symphony D) Große Fuge
A) Joseph Haydn B) Christian Gottlob Neefe C) Johann van Beethoven D) Court concertmaster Franz Anton Ries
A) Moonlight Sonata B) Pathétique Sonata C) First Symphony D) Eroica Symphony
A) Franz Wegeler B) Christian Gottlob Neefe C) Count Ferdinand von Waldstein D) Maximilian Franz
A) Three piano sonatas (WoO 47) B) Cantata for the death of Joseph II (WoO 87) C) A set of keyboard variations (WoO 63) D) Ballet Musik zu einem Ritterballett (WoO 1)
A) Waldstein B) Kurfürst C) Breuning D) Haydn
A) Anna von Schaden B) Helene von Breuning C) Maximilian Franz's wife D) Johann van Beethoven
A) Count Ferdinand von Waldstein B) Christian Gottlob Neefe C) Maximilian Franz D) Franz Wegeler
A) Leonore B) Musik zu einem Ritterballett (WoO 1) C) Fidelio D) Die Geschöpfe des Prometheus
A) 1785 B) 1789 C) 1792 D) July 1787
A) Paisiello B) Gluck C) Beethoven D) Mozart
A) 1789 B) Late 1790 C) 1792 D) 1785
A) 1789 B) 1801 C) 1792 D) 1794
A) Albrechtsberger B) Mozart C) Salieri D) Haydn
A) Piano B) Flute C) Cello D) Violin
A) Joseph B) Carl C) Kaspar D) Ferdinand
A) Ferdinand Ries B) Ignaz Moscheles C) Joseph Wölfl D) Daniel Steibelt
A) The players ignored the soloist entirely B) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung C) Beethoven's works were not well received D) It was universally praised without criticism
A) Yamaha B) Steinway & Sons C) Bechstein D) Broadwood
A) Antonie Brentano B) Therese Malfatti C) Julie Guicciardi D) Josephine Brunsvik
A) Beethoven House, Bonn B) Beethoven Museum in Probusgasse C) Pasqualatihaus (Mölker Bastei 8) D) Beethovenhalle
A) Michael Umlauf B) Johann Nepomuk Hummel C) Ludwig van Beethoven D) Anton Schindler
A) Meeresstille und glückliche Fahrt B) King Stephen C) Egmont D) The Ruins of Athens
A) Schubert and Liszt B) Hummel or Muzio Clementi C) Haydn and Mozart D) Bach and Handel
A) A local magistrate B) His brother Johann C) Kaspar's widow Johanna D) Therese Obermayer
A) Contemporary virtuosos B) Rank beginners C) Classical masters D) Mature composers
A) 1827 B) 1888 C) 1900 D) 1863
A) 1845 B) 2007 C) 1880 D) 2001
A) Vienna B) Cassel C) Leipzig D) Heiligenstadt
A) Haydn's B) Schubert's C) Mozart's D) Beethoven's
A) Classical era B) Baroque-era C) Romantic era D) Renaissance era
A) Seventh Symphony, Op. 92 B) Wellington's Victory (Op. 91) C) Battle Symphony D) The Allegretto movement
A) "Der schwer gefasste Entschluss" B) "Muss es sein?" C) "Von Herzen—Möge es wieder—Zu Herzen gehn!" D) "Es muss sein!"
A) £100 B) A lifetime membership C) A grand piano D) A portrait of him
A) Archduke Rudolf B) E. T. A. Hoffmann C) Czerny D) General Bernadotte
A) Joseph Haydn B) Johann Albrechtsberger C) Ignaz Schuppanzigh D) Antonio Salieri
A) Inflammatory fever B) Migraine C) Rheumatism D) Tuberculosis
A) 1000 florins B) 1500 florins C) 500 florins D) 2000 florins
A) Heroic Quartet B) Dramatic Quartet C) Quartetto serioso D) Tragic Quartet
A) Berlin B) Munich C) Vienna D) Budapest
A) Migraine B) Rheumatism C) A sudden illness D) Tuberculosis
A) He never wrote to her. B) He had a passionate correspondence with her. C) They were married. D) She rejected his proposal.
A) Otosclerosis B) Neural degeneration C) Auricular infection D) Tinnitus
A) 1802 B) 1824 C) 1798 D) 1815
A) Bonn B) Vienna C) St. Louis D) San Jose, California
A) On 8 November 1812 B) In early 1813 C) In late 1820 D) On 15 November 1815
A) 50 ducats per quartet. B) 100 ducats per quartet. C) 30 ducats per sonata. D) 75 ducats per quartet.
A) Goethe B) Rudolph C) Antonie Brentano D) Bettina Brentano
A) 1820 B) 1822 C) 1818 D) 1816
A) Joseph Mayseder B) Anselm Hüttenbrenner C) Franz Schubert D) Heinrich Anschütz
A) The influence of other composers B) A fourth period C) New compositions D) Sub-periods
A) August 1845 B) 2001 C) 1880 D) 2007
A) Pneumonia B) Malaria C) Cholera D) Tuberculosis
A) Schindler B) Andreas Ignaz Wawruch C) Karl D) Dr. Malfatti
A) Schindler B) Michael Umlauf C) Rudolph D) Karl Holz
A) Rudolph B) Michael Umlauf C) Johann Friedrich Rochlitz D) Louis XVIII
A) Composed between 1806–1814 B) Op. 18 quartets C) Composed from 1824 onwards D) Opp. 59, 74 and 95
A) Der glorreiche Augenblick (The Glorious Moment) B) Fidelio C) An die Hoffnung D) Wellington's Victory
A) It resulted in significant losses for Beethoven B) It was a financial success C) The concert was cancelled due to poor ticket sales D) Beethoven had to refund all the tickets
A) Missa solemnis B) Ninth Symphony C) Diabelli Variations D) String Quartet No. 14
A) As indifferent and distant. B) As minimal and uninvolved. C) As supportive and caring. D) As an overbearing manner.
A) Moscheles B) Ludwig Spohr C) Duke of Wellington D) Johann Nepomuk Maelzel
A) Archduke Trio B) Meeresstille und glückliche Fahrt C) F minor String Quartet D) Egmont Overture
A) "O Man, help thyself." B) "To success!" C) "For art and glory." D) "With God's guidance."
A) Braille B) Telegraph C) Conversation books D) Sign language
A) Berlin B) Teplitz (now Teplice) C) Vienna D) Munich
A) The art of conducting B) Recording technology C) The professional orchestra D) The modern piano
A) Johann Sebastian Bach B) Claudio Monteverdi C) George Frideric Handel D) Wolfgang Amadeus Mozart
A) Concertos B) Piano sonatas C) Symphonies D) The quartets
A) 5,000 B) 50,000 C) 20,000 D) 10,000
A) Cramer B) Schlesinger C) Haslinger D) Artaria
A) 1826 B) 1824 C) 1823 D) 1825
A) Vienna B) Munich C) Baden D) Berlin
A) "Plaudite, amici, comoedia finita est" B) "To be or not to be" C) "Veni, vidi, vici" D) "Carpe diem"
A) Fidelio B) Mass in C, Op. 86 C) Violin Concerto D) Archduke Trio Op. 97
A) Napoleon Bonaparte B) Louis XVIII C) François I D) Charles X
A) Nannette Streicher B) Thomas Broadwood C) Maelzel D) Alois Jeitteles
A) The decade 1790–1800 B) The decade 1810–1819 C) The decade 1780–1790 D) The decade 1820–1830 |