A) Paris B) Bonn C) Berlin D) Vienna
A) Violin B) Piano C) Flute D) Cello
A) Symphony No. 9 B) Symphony No. 7 C) Symphony No. 3 D) Symphony No. 5
A) Classical and Romantic B) Medieval and Renaissance C) Baroque and Classical D) Romantic and Modern
A) Symphony No. 3 B) Symphony No. 5 C) Symphony No. 7 D) Symphony No. 9
A) Für Elise B) Eroica Symphony C) Immortal Beloved D) Moonlight Sonata
A) 1799 B) 1827 C) 1869 D) 1750
A) Fidelio B) Madama Butterfly C) Carmen D) The Magic Flute
A) French B) German C) Austrian D) Italian
A) F sharp major B) D major C) C minor D) A flat minor
A) Napoleon Bonaparte B) Louis-Alexandre Berthier C) Maréchal Ney D) Joachim Murat
A) Franz Rovantini B) Joseph Haydn C) Johann van Beethoven D) Christian Gottlob Neefe
A) Pianist B) Conductor C) Composer D) Kapellmeister (music director)
A) Munich B) Bonn C) Berlin D) Vienna
A) Clemens August B) Heinrich Keverich C) Johann IX Philipp von Walderdorff D) Karl Alois, Prince Lichnowsky
A) Cousin B) Grandson through his father, who worked at the court C) Son D) Nephew
A) Helene von Breuning B) Maria Magdalena Keverich C) Julie Guicciardi D) Nannerl Mozart
A) 15 December 1770 B) 16 December 1770 C) 17 December 1770 D) 18 December 1770
A) Pathétique Sonata B) Moonlight Sonata C) Appassionata Sonata D) Waldstein Sonata
A) 50 B) 56 C) 65 D) 60
A) Eroica Symphony B) Bagatelle "Für Elise" C) Ninth Symphony D) Fifth Symphony
A) Romantic period B) First period (up to 1802) C) Late period (1812–1827) D) Middle period (1802–1812)
A) Große Fuge B) Ninth Symphony C) Fifth Symphony D) Eroica Symphony
A) Christian Gottlob Neefe B) Joseph Haydn C) Court concertmaster Franz Anton Ries D) Johann van Beethoven
A) Pathétique Sonata B) First Symphony C) Moonlight Sonata D) Eroica Symphony
A) Christian Gottlob Neefe B) Count Ferdinand von Waldstein C) Maximilian Franz D) Franz Wegeler
A) Ballet Musik zu einem Ritterballett (WoO 1) B) Cantata for the death of Joseph II (WoO 87) C) Three piano sonatas (WoO 47) D) A set of keyboard variations (WoO 63)
A) Haydn B) Waldstein C) Breuning D) Kurfürst
A) Helene von Breuning B) Anna von Schaden C) Maximilian Franz's wife D) Johann van Beethoven
A) Franz Wegeler B) Maximilian Franz C) Christian Gottlob Neefe D) Count Ferdinand von Waldstein
A) Musik zu einem Ritterballett (WoO 1) B) Leonore C) Die Geschöpfe des Prometheus D) Fidelio
A) 1785 B) 1792 C) 1789 D) July 1787
A) Paisiello B) Beethoven C) Mozart D) Gluck
A) 1785 B) 1792 C) Late 1790 D) 1789
A) 1794 B) 1792 C) 1801 D) 1789
A) Albrechtsberger B) Haydn C) Salieri D) Mozart
A) Cello B) Flute C) Piano D) Violin
A) Carl B) Ferdinand C) Kaspar D) Joseph
A) Ignaz Moscheles B) Daniel Steibelt C) Joseph Wölfl D) Ferdinand Ries
A) It was universally praised without criticism B) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung C) The players ignored the soloist entirely D) Beethoven's works were not well received
A) The concert was cancelled due to poor ticket sales B) It was a financial success C) Beethoven had to refund all the tickets D) It resulted in significant losses for Beethoven
A) Ignaz Schuppanzigh B) Antonio Salieri C) Joseph Haydn D) Johann Albrechtsberger
A) 1798 B) 1802 C) 1815 D) 1824
A) Auricular infection B) Neural degeneration C) Otosclerosis D) Tinnitus
A) Leipzig B) Cassel C) Vienna D) Heiligenstadt
A) Archduke Rudolf B) E. T. A. Hoffmann C) General Bernadotte D) Czerny
A) Violin Concerto B) Mass in C, Op. 86 C) Archduke Trio Op. 97 D) Fidelio
A) The Ruins of Athens B) Meeresstille und glückliche Fahrt C) Egmont D) King Stephen
A) Tragic Quartet B) Quartetto serioso C) Heroic Quartet D) Dramatic Quartet
A) Teplitz (now Teplice) B) Berlin C) Vienna D) Munich
A) Goethe B) Rudolph C) Antonie Brentano D) Bettina Brentano
A) Therese Malfatti B) Josephine Brunsvik C) Antonie Brentano D) Julie Guicciardi
A) He had a passionate correspondence with her. B) They were married. C) He never wrote to her. D) She rejected his proposal.
A) Meeresstille und glückliche Fahrt B) Archduke Trio C) F minor String Quartet D) Egmont Overture
A) Vienna B) Munich C) Berlin D) Budapest
A) Cholera B) Tuberculosis C) Malaria D) Pneumonia
A) 500 florins B) 2000 florins C) 1500 florins D) 1000 florins
A) On 8 November 1812 B) In early 1813 C) On 15 November 1815 D) In late 1820
A) Kaspar's widow Johanna B) A local magistrate C) His brother Johann D) Therese Obermayer
A) 1822 B) 1818 C) 1816 D) 1820
A) As an overbearing manner. B) As indifferent and distant. C) As minimal and uninvolved. D) As supportive and caring.
A) Wellington's Victory (Op. 91) B) The Allegretto movement C) Seventh Symphony, Op. 92 D) Battle Symphony
A) Johann Nepomuk Maelzel B) Duke of Wellington C) Moscheles D) Ludwig Spohr
A) "For art and glory." B) "To success!" C) "O Man, help thyself." D) "With God's guidance."
A) Fidelio B) Der glorreiche Augenblick (The Glorious Moment) C) Wellington's Victory D) An die Hoffnung
A) Tuberculosis B) Rheumatism C) Inflammatory fever D) Migraine
A) Haydn's B) Mozart's C) Beethoven's D) Schubert's
A) Conversation books B) Telegraph C) Sign language D) Braille
A) Alois Jeitteles B) Maelzel C) Nannette Streicher D) Thomas Broadwood
A) Yamaha B) Steinway & Sons C) Broadwood D) Bechstein
A) 75 ducats per quartet. B) 100 ducats per quartet. C) 50 ducats per quartet. D) 30 ducats per sonata.
A) 1826 B) 1825 C) 1823 D) 1824
A) Louis XVIII B) Michael Umlauf C) Johann Friedrich Rochlitz D) Rudolph
A) Louis XVIII B) François I C) Charles X D) Napoleon Bonaparte
A) Johann Nepomuk Hummel B) Anton Schindler C) Ludwig van Beethoven D) Michael Umlauf
A) Cramer B) Schlesinger C) Haslinger D) Artaria
A) Michael Umlauf B) Rudolph C) Schindler D) Karl Holz
A) Ninth Symphony B) Missa solemnis C) Diabelli Variations D) String Quartet No. 14
A) "Der schwer gefasste Entschluss" B) "Muss es sein?" C) "Es muss sein!" D) "Von Herzen—Möge es wieder—Zu Herzen gehn!"
A) Rheumatism B) A sudden illness C) Migraine D) Tuberculosis
A) Berlin B) Baden C) Vienna D) Munich
A) Karl B) Dr. Malfatti C) Schindler D) Andreas Ignaz Wawruch
A) A lifetime membership B) A portrait of him C) £100 D) A grand piano
A) "To be or not to be" B) "Veni, vidi, vici" C) "Carpe diem" D) "Plaudite, amici, comoedia finita est"
A) 10,000 B) 5,000 C) 50,000 D) 20,000
A) Joseph Mayseder B) Heinrich Anschütz C) Anselm Hüttenbrenner D) Franz Schubert
A) 1863 B) 1888 C) 1900 D) 1827
A) The quartets B) Symphonies C) Concertos D) Piano sonatas
A) Composed from 1824 onwards B) Opp. 59, 74 and 95 C) Op. 18 quartets D) Composed between 1806–1814
A) New compositions B) Sub-periods C) The influence of other composers D) A fourth period
A) Rank beginners B) Contemporary virtuosos C) Classical masters D) Mature composers
A) Hummel or Muzio Clementi B) Haydn and Mozart C) Bach and Handel D) Schubert and Liszt
A) The decade 1790–1800 B) The decade 1810–1819 C) The decade 1820–1830 D) The decade 1780–1790
A) Claudio Monteverdi B) George Frideric Handel C) Wolfgang Amadeus Mozart D) Johann Sebastian Bach
A) Romantic era B) Renaissance era C) Baroque-era D) Classical era
A) Recording technology B) The modern piano C) The art of conducting D) The professional orchestra
A) 2007 B) 1880 C) 1845 D) 2001
A) St. Louis B) Bonn C) Vienna D) San Jose, California
A) Beethoven Museum in Probusgasse B) Beethovenhalle C) Pasqualatihaus (Mölker Bastei 8) D) Beethoven House, Bonn
A) August 1845 B) 2007 C) 2001 D) 1880 |