A) Berlin B) Vienna C) Paris D) Bonn
A) Piano B) Violin C) Flute D) Cello
A) Symphony No. 3 B) Symphony No. 5 C) Symphony No. 7 D) Symphony No. 9
A) Baroque and Classical B) Medieval and Renaissance C) Romantic and Modern D) Classical and Romantic
A) Symphony No. 7 B) Symphony No. 5 C) Symphony No. 9 D) Symphony No. 3
A) Immortal Beloved B) Moonlight Sonata C) Eroica Symphony D) Für Elise
A) 1799 B) 1827 C) 1750 D) 1869
A) Fidelio B) The Magic Flute C) Madama Butterfly D) Carmen
A) Italian B) German C) Austrian D) French
A) F sharp major B) A flat minor C) D major D) C minor
A) Maréchal Ney B) Louis-Alexandre Berthier C) Napoleon Bonaparte D) Joachim Murat
A) Joseph Haydn B) Johann van Beethoven C) Christian Gottlob Neefe D) Franz Rovantini
A) Pianist B) Kapellmeister (music director) C) Composer D) Conductor
A) Munich B) Vienna C) Bonn D) Berlin
A) Karl Alois, Prince Lichnowsky B) Clemens August C) Heinrich Keverich D) Johann IX Philipp von Walderdorff
A) Grandson through his father, who worked at the court B) Nephew C) Cousin D) Son
A) Nannerl Mozart B) Maria Magdalena Keverich C) Julie Guicciardi D) Helene von Breuning
A) 16 December 1770 B) 15 December 1770 C) 18 December 1770 D) 17 December 1770
A) Waldstein Sonata B) Pathétique Sonata C) Moonlight Sonata D) Appassionata Sonata
A) 65 B) 60 C) 56 D) 50
A) Fifth Symphony B) Bagatelle "Für Elise" C) Eroica Symphony D) Ninth Symphony
A) First period (up to 1802) B) Middle period (1802–1812) C) Romantic period D) Late period (1812–1827)
A) Große Fuge B) Fifth Symphony C) Eroica Symphony D) Ninth Symphony
A) Christian Gottlob Neefe B) Court concertmaster Franz Anton Ries C) Joseph Haydn D) Johann van Beethoven
A) Eroica Symphony B) Moonlight Sonata C) Pathétique Sonata D) First Symphony
A) Maximilian Franz B) Count Ferdinand von Waldstein C) Franz Wegeler D) Christian Gottlob Neefe
A) Three piano sonatas (WoO 47) B) Ballet Musik zu einem Ritterballett (WoO 1) C) A set of keyboard variations (WoO 63) D) Cantata for the death of Joseph II (WoO 87)
A) Kurfürst B) Waldstein C) Haydn D) Breuning
A) Anna von Schaden B) Maximilian Franz's wife C) Johann van Beethoven D) Helene von Breuning
A) Maximilian Franz B) Christian Gottlob Neefe C) Count Ferdinand von Waldstein D) Franz Wegeler
A) Fidelio B) Die Geschöpfe des Prometheus C) Musik zu einem Ritterballett (WoO 1) D) Leonore
A) 1785 B) 1789 C) July 1787 D) 1792
A) Beethoven B) Mozart C) Gluck D) Paisiello
A) 1792 B) 1789 C) 1785 D) Late 1790
A) 1792 B) 1789 C) 1801 D) 1794
A) Salieri B) Mozart C) Albrechtsberger D) Haydn
A) Piano B) Flute C) Violin D) Cello
A) Carl B) Kaspar C) Ferdinand D) Joseph
A) Joseph Wölfl B) Ignaz Moscheles C) Ferdinand Ries D) Daniel Steibelt
A) The players ignored the soloist entirely B) It was universally praised without criticism C) Beethoven's works were not well received D) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung
A) Steinway & Sons B) Yamaha C) Broadwood D) Bechstein
A) Josephine Brunsvik B) Antonie Brentano C) Therese Malfatti D) Julie Guicciardi
A) Beethovenhalle B) Beethoven House, Bonn C) Beethoven Museum in Probusgasse D) Pasqualatihaus (Mölker Bastei 8)
A) Ludwig van Beethoven B) Johann Nepomuk Hummel C) Anton Schindler D) Michael Umlauf
A) Meeresstille und glückliche Fahrt B) Egmont C) King Stephen D) The Ruins of Athens
A) Haydn and Mozart B) Hummel or Muzio Clementi C) Bach and Handel D) Schubert and Liszt
A) Kaspar's widow Johanna B) A local magistrate C) Therese Obermayer D) His brother Johann
A) Rank beginners B) Contemporary virtuosos C) Mature composers D) Classical masters
A) 1827 B) 1863 C) 1900 D) 1888
A) 1880 B) 2007 C) 1845 D) 2001
A) Heiligenstadt B) Leipzig C) Vienna D) Cassel
A) Beethoven's B) Schubert's C) Mozart's D) Haydn's
A) Romantic era B) Classical era C) Renaissance era D) Baroque-era
A) Seventh Symphony, Op. 92 B) Battle Symphony C) Wellington's Victory (Op. 91) D) The Allegretto movement
A) "Muss es sein?" B) "Von Herzen—Möge es wieder—Zu Herzen gehn!" C) "Es muss sein!" D) "Der schwer gefasste Entschluss"
A) A grand piano B) A portrait of him C) A lifetime membership D) £100
A) E. T. A. Hoffmann B) Archduke Rudolf C) General Bernadotte D) Czerny
A) Antonio Salieri B) Johann Albrechtsberger C) Ignaz Schuppanzigh D) Joseph Haydn
A) Inflammatory fever B) Tuberculosis C) Migraine D) Rheumatism
A) 1000 florins B) 2000 florins C) 500 florins D) 1500 florins
A) Heroic Quartet B) Tragic Quartet C) Dramatic Quartet D) Quartetto serioso
A) Munich B) Budapest C) Vienna D) Berlin
A) Tuberculosis B) Rheumatism C) A sudden illness D) Migraine
A) She rejected his proposal. B) He had a passionate correspondence with her. C) They were married. D) He never wrote to her.
A) Neural degeneration B) Auricular infection C) Tinnitus D) Otosclerosis
A) 1802 B) 1815 C) 1824 D) 1798
A) St. Louis B) San Jose, California C) Bonn D) Vienna
A) On 15 November 1815 B) In late 1820 C) On 8 November 1812 D) In early 1813
A) 30 ducats per sonata. B) 75 ducats per quartet. C) 50 ducats per quartet. D) 100 ducats per quartet.
A) Rudolph B) Antonie Brentano C) Bettina Brentano D) Goethe
A) 1818 B) 1816 C) 1822 D) 1820
A) Joseph Mayseder B) Franz Schubert C) Anselm Hüttenbrenner D) Heinrich Anschütz
A) Sub-periods B) A fourth period C) New compositions D) The influence of other composers
A) 2001 B) 2007 C) August 1845 D) 1880
A) Pneumonia B) Cholera C) Malaria D) Tuberculosis
A) Dr. Malfatti B) Andreas Ignaz Wawruch C) Karl D) Schindler
A) Schindler B) Karl Holz C) Michael Umlauf D) Rudolph
A) Louis XVIII B) Rudolph C) Michael Umlauf D) Johann Friedrich Rochlitz
A) Composed between 1806–1814 B) Op. 18 quartets C) Opp. 59, 74 and 95 D) Composed from 1824 onwards
A) Wellington's Victory B) Der glorreiche Augenblick (The Glorious Moment) C) Fidelio D) An die Hoffnung
A) It was a financial success B) The concert was cancelled due to poor ticket sales C) Beethoven had to refund all the tickets D) It resulted in significant losses for Beethoven
A) Missa solemnis B) Diabelli Variations C) Ninth Symphony D) String Quartet No. 14
A) As minimal and uninvolved. B) As supportive and caring. C) As indifferent and distant. D) As an overbearing manner.
A) Johann Nepomuk Maelzel B) Ludwig Spohr C) Duke of Wellington D) Moscheles
A) Egmont Overture B) Archduke Trio C) F minor String Quartet D) Meeresstille und glückliche Fahrt
A) "To success!" B) "For art and glory." C) "O Man, help thyself." D) "With God's guidance."
A) Sign language B) Conversation books C) Braille D) Telegraph
A) Berlin B) Teplitz (now Teplice) C) Vienna D) Munich
A) The art of conducting B) The modern piano C) The professional orchestra D) Recording technology
A) Johann Sebastian Bach B) Wolfgang Amadeus Mozart C) Claudio Monteverdi D) George Frideric Handel
A) Concertos B) The quartets C) Piano sonatas D) Symphonies
A) 10,000 B) 50,000 C) 20,000 D) 5,000
A) Schlesinger B) Cramer C) Haslinger D) Artaria
A) 1823 B) 1826 C) 1825 D) 1824
A) Baden B) Vienna C) Berlin D) Munich
A) "Carpe diem" B) "Veni, vidi, vici" C) "Plaudite, amici, comoedia finita est" D) "To be or not to be"
A) Mass in C, Op. 86 B) Fidelio C) Violin Concerto D) Archduke Trio Op. 97
A) François I B) Louis XVIII C) Charles X D) Napoleon Bonaparte
A) Maelzel B) Nannette Streicher C) Thomas Broadwood D) Alois Jeitteles
A) The decade 1790–1800 B) The decade 1810–1819 C) The decade 1820–1830 D) The decade 1780–1790 |