A) Paris B) Vienna C) Berlin D) Bonn
A) Piano B) Cello C) Violin D) Flute
A) Symphony No. 5 B) Symphony No. 9 C) Symphony No. 7 D) Symphony No. 3
A) Baroque and Classical B) Romantic and Modern C) Classical and Romantic D) Medieval and Renaissance
A) Symphony No. 3 B) Symphony No. 7 C) Symphony No. 5 D) Symphony No. 9
A) Moonlight Sonata B) Eroica Symphony C) Immortal Beloved D) Für Elise
A) 1750 B) 1827 C) 1869 D) 1799
A) Fidelio B) Carmen C) The Magic Flute D) Madama Butterfly
A) Austrian B) German C) Italian D) French
A) D major B) C minor C) A flat minor D) F sharp major
A) Louis-Alexandre Berthier B) Maréchal Ney C) Napoleon Bonaparte D) Joachim Murat
A) Johann van Beethoven B) Joseph Haydn C) Christian Gottlob Neefe D) Franz Rovantini
A) Pianist B) Composer C) Kapellmeister (music director) D) Conductor
A) Vienna B) Munich C) Bonn D) Berlin
A) Johann IX Philipp von Walderdorff B) Karl Alois, Prince Lichnowsky C) Clemens August D) Heinrich Keverich
A) Grandson through his father, who worked at the court B) Cousin C) Son D) Nephew
A) Nannerl Mozart B) Helene von Breuning C) Maria Magdalena Keverich D) Julie Guicciardi
A) 18 December 1770 B) 16 December 1770 C) 15 December 1770 D) 17 December 1770
A) Appassionata Sonata B) Waldstein Sonata C) Moonlight Sonata D) Pathétique Sonata
A) 65 B) 56 C) 60 D) 50
A) Ninth Symphony B) Bagatelle "Für Elise" C) Fifth Symphony D) Eroica Symphony
A) Late period (1812–1827) B) First period (up to 1802) C) Romantic period D) Middle period (1802–1812)
A) Eroica Symphony B) Ninth Symphony C) Große Fuge D) Fifth Symphony
A) Christian Gottlob Neefe B) Johann van Beethoven C) Court concertmaster Franz Anton Ries D) Joseph Haydn
A) Pathétique Sonata B) Moonlight Sonata C) First Symphony D) Eroica Symphony
A) Count Ferdinand von Waldstein B) Franz Wegeler C) Maximilian Franz D) Christian Gottlob Neefe
A) Ballet Musik zu einem Ritterballett (WoO 1) B) Cantata for the death of Joseph II (WoO 87) C) A set of keyboard variations (WoO 63) D) Three piano sonatas (WoO 47)
A) Haydn B) Kurfürst C) Waldstein D) Breuning
A) Johann van Beethoven B) Anna von Schaden C) Maximilian Franz's wife D) Helene von Breuning
A) Christian Gottlob Neefe B) Franz Wegeler C) Count Ferdinand von Waldstein D) Maximilian Franz
A) Musik zu einem Ritterballett (WoO 1) B) Leonore C) Fidelio D) Die Geschöpfe des Prometheus
A) July 1787 B) 1789 C) 1785 D) 1792
A) Gluck B) Paisiello C) Beethoven D) Mozart
A) Late 1790 B) 1789 C) 1785 D) 1792
A) 1789 B) 1792 C) 1801 D) 1794
A) Haydn B) Salieri C) Albrechtsberger D) Mozart
A) Violin B) Cello C) Flute D) Piano
A) Kaspar B) Carl C) Ferdinand D) Joseph
A) Ferdinand Ries B) Daniel Steibelt C) Ignaz Moscheles D) Joseph Wölfl
A) Beethoven's works were not well received B) The players ignored the soloist entirely C) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung D) It was universally praised without criticism
A) Steinway & Sons B) Broadwood C) Bechstein D) Yamaha
A) Antonie Brentano B) Josephine Brunsvik C) Julie Guicciardi D) Therese Malfatti
A) Beethoven Museum in Probusgasse B) Beethovenhalle C) Pasqualatihaus (Mölker Bastei 8) D) Beethoven House, Bonn
A) Johann Nepomuk Hummel B) Michael Umlauf C) Ludwig van Beethoven D) Anton Schindler
A) The Ruins of Athens B) Egmont C) Meeresstille und glückliche Fahrt D) King Stephen
A) Schubert and Liszt B) Haydn and Mozart C) Hummel or Muzio Clementi D) Bach and Handel
A) Therese Obermayer B) A local magistrate C) Kaspar's widow Johanna D) His brother Johann
A) Rank beginners B) Mature composers C) Classical masters D) Contemporary virtuosos
A) 1888 B) 1827 C) 1900 D) 1863
A) 2007 B) 1880 C) 1845 D) 2001
A) Cassel B) Leipzig C) Vienna D) Heiligenstadt
A) Schubert's B) Mozart's C) Haydn's D) Beethoven's
A) Baroque-era B) Renaissance era C) Romantic era D) Classical era
A) Seventh Symphony, Op. 92 B) Battle Symphony C) Wellington's Victory (Op. 91) D) The Allegretto movement
A) "Es muss sein!" B) "Von Herzen—Möge es wieder—Zu Herzen gehn!" C) "Muss es sein?" D) "Der schwer gefasste Entschluss"
A) A lifetime membership B) A grand piano C) A portrait of him D) £100
A) Czerny B) Archduke Rudolf C) E. T. A. Hoffmann D) General Bernadotte
A) Ignaz Schuppanzigh B) Joseph Haydn C) Antonio Salieri D) Johann Albrechtsberger
A) Tuberculosis B) Inflammatory fever C) Migraine D) Rheumatism
A) 1500 florins B) 2000 florins C) 1000 florins D) 500 florins
A) Tragic Quartet B) Heroic Quartet C) Quartetto serioso D) Dramatic Quartet
A) Berlin B) Vienna C) Budapest D) Munich
A) Migraine B) A sudden illness C) Rheumatism D) Tuberculosis
A) They were married. B) He had a passionate correspondence with her. C) He never wrote to her. D) She rejected his proposal.
A) Otosclerosis B) Neural degeneration C) Auricular infection D) Tinnitus
A) 1815 B) 1802 C) 1824 D) 1798
A) St. Louis B) Bonn C) Vienna D) San Jose, California
A) In late 1820 B) On 15 November 1815 C) In early 1813 D) On 8 November 1812
A) 50 ducats per quartet. B) 75 ducats per quartet. C) 100 ducats per quartet. D) 30 ducats per sonata.
A) Goethe B) Antonie Brentano C) Bettina Brentano D) Rudolph
A) 1822 B) 1818 C) 1820 D) 1816
A) Anselm Hüttenbrenner B) Heinrich Anschütz C) Joseph Mayseder D) Franz Schubert
A) Sub-periods B) A fourth period C) New compositions D) The influence of other composers
A) 2001 B) August 1845 C) 1880 D) 2007
A) Cholera B) Pneumonia C) Malaria D) Tuberculosis
A) Schindler B) Karl C) Dr. Malfatti D) Andreas Ignaz Wawruch
A) Karl Holz B) Schindler C) Rudolph D) Michael Umlauf
A) Johann Friedrich Rochlitz B) Louis XVIII C) Michael Umlauf D) Rudolph
A) Composed from 1824 onwards B) Op. 18 quartets C) Opp. 59, 74 and 95 D) Composed between 1806–1814
A) Der glorreiche Augenblick (The Glorious Moment) B) An die Hoffnung C) Fidelio D) Wellington's Victory
A) The concert was cancelled due to poor ticket sales B) Beethoven had to refund all the tickets C) It was a financial success D) It resulted in significant losses for Beethoven
A) Diabelli Variations B) Ninth Symphony C) String Quartet No. 14 D) Missa solemnis
A) As an overbearing manner. B) As supportive and caring. C) As indifferent and distant. D) As minimal and uninvolved.
A) Ludwig Spohr B) Moscheles C) Duke of Wellington D) Johann Nepomuk Maelzel
A) Egmont Overture B) F minor String Quartet C) Archduke Trio D) Meeresstille und glückliche Fahrt
A) "To success!" B) "With God's guidance." C) "O Man, help thyself." D) "For art and glory."
A) Sign language B) Braille C) Conversation books D) Telegraph
A) Berlin B) Munich C) Teplitz (now Teplice) D) Vienna
A) Recording technology B) The art of conducting C) The modern piano D) The professional orchestra
A) Johann Sebastian Bach B) George Frideric Handel C) Wolfgang Amadeus Mozart D) Claudio Monteverdi
A) Concertos B) Piano sonatas C) The quartets D) Symphonies
A) 20,000 B) 5,000 C) 50,000 D) 10,000
A) Artaria B) Cramer C) Schlesinger D) Haslinger
A) 1823 B) 1826 C) 1824 D) 1825
A) Berlin B) Vienna C) Munich D) Baden
A) "Veni, vidi, vici" B) "Plaudite, amici, comoedia finita est" C) "Carpe diem" D) "To be or not to be"
A) Violin Concerto B) Archduke Trio Op. 97 C) Fidelio D) Mass in C, Op. 86
A) Napoleon Bonaparte B) François I C) Louis XVIII D) Charles X
A) Nannette Streicher B) Thomas Broadwood C) Alois Jeitteles D) Maelzel
A) The decade 1790–1800 B) The decade 1780–1790 C) The decade 1820–1830 D) The decade 1810–1819 |