A) Berlin B) Bonn C) Vienna D) Paris
A) Violin B) Piano C) Cello D) Flute
A) Symphony No. 3 B) Symphony No. 5 C) Symphony No. 9 D) Symphony No. 7
A) Romantic and Modern B) Classical and Romantic C) Baroque and Classical D) Medieval and Renaissance
A) Symphony No. 9 B) Symphony No. 5 C) Symphony No. 3 D) Symphony No. 7
A) Moonlight Sonata B) Für Elise C) Immortal Beloved D) Eroica Symphony
A) 1750 B) 1799 C) 1869 D) 1827
A) The Magic Flute B) Carmen C) Madama Butterfly D) Fidelio
A) Austrian B) French C) German D) Italian
A) F sharp major B) A flat minor C) C minor D) D major
A) Joachim Murat B) Louis-Alexandre Berthier C) Napoleon Bonaparte D) Maréchal Ney
A) Joseph Haydn B) Johann van Beethoven C) Christian Gottlob Neefe D) Franz Rovantini
A) Kapellmeister (music director) B) Pianist C) Conductor D) Composer
A) Munich B) Berlin C) Vienna D) Bonn
A) Clemens August B) Heinrich Keverich C) Johann IX Philipp von Walderdorff D) Karl Alois, Prince Lichnowsky
A) Cousin B) Son C) Nephew D) Grandson through his father, who worked at the court
A) Julie Guicciardi B) Helene von Breuning C) Nannerl Mozart D) Maria Magdalena Keverich
A) 17 December 1770 B) 16 December 1770 C) 15 December 1770 D) 18 December 1770
A) Moonlight Sonata B) Appassionata Sonata C) Waldstein Sonata D) Pathétique Sonata
A) 56 B) 60 C) 50 D) 65
A) Eroica Symphony B) Fifth Symphony C) Ninth Symphony D) Bagatelle "Für Elise"
A) First period (up to 1802) B) Romantic period C) Late period (1812–1827) D) Middle period (1802–1812)
A) Fifth Symphony B) Große Fuge C) Eroica Symphony D) Ninth Symphony
A) Joseph Haydn B) Johann van Beethoven C) Christian Gottlob Neefe D) Court concertmaster Franz Anton Ries
A) Eroica Symphony B) Pathétique Sonata C) First Symphony D) Moonlight Sonata
A) Maximilian Franz B) Franz Wegeler C) Christian Gottlob Neefe D) Count Ferdinand von Waldstein
A) Cantata for the death of Joseph II (WoO 87) B) Ballet Musik zu einem Ritterballett (WoO 1) C) A set of keyboard variations (WoO 63) D) Three piano sonatas (WoO 47)
A) Breuning B) Kurfürst C) Waldstein D) Haydn
A) Maximilian Franz's wife B) Anna von Schaden C) Johann van Beethoven D) Helene von Breuning
A) Maximilian Franz B) Christian Gottlob Neefe C) Franz Wegeler D) Count Ferdinand von Waldstein
A) Fidelio B) Leonore C) Musik zu einem Ritterballett (WoO 1) D) Die Geschöpfe des Prometheus
A) 1789 B) July 1787 C) 1785 D) 1792
A) Beethoven B) Mozart C) Paisiello D) Gluck
A) 1789 B) 1792 C) 1785 D) Late 1790
A) 1792 B) 1789 C) 1794 D) 1801
A) Albrechtsberger B) Mozart C) Haydn D) Salieri
A) Flute B) Piano C) Violin D) Cello
A) Kaspar B) Ferdinand C) Joseph D) Carl
A) Ignaz Moscheles B) Daniel Steibelt C) Ferdinand Ries D) Joseph Wölfl
A) It was universally praised without criticism B) The players ignored the soloist entirely C) Beethoven's works were not well received D) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung
A) Bechstein B) Broadwood C) Steinway & Sons D) Yamaha
A) Julie Guicciardi B) Josephine Brunsvik C) Antonie Brentano D) Therese Malfatti
A) Beethoven House, Bonn B) Pasqualatihaus (Mölker Bastei 8) C) Beethovenhalle D) Beethoven Museum in Probusgasse
A) Michael Umlauf B) Johann Nepomuk Hummel C) Anton Schindler D) Ludwig van Beethoven
A) King Stephen B) Meeresstille und glückliche Fahrt C) The Ruins of Athens D) Egmont
A) Bach and Handel B) Hummel or Muzio Clementi C) Schubert and Liszt D) Haydn and Mozart
A) His brother Johann B) Therese Obermayer C) A local magistrate D) Kaspar's widow Johanna
A) Contemporary virtuosos B) Classical masters C) Rank beginners D) Mature composers
A) 1863 B) 1900 C) 1888 D) 1827
A) 1880 B) 2007 C) 2001 D) 1845
A) Leipzig B) Cassel C) Heiligenstadt D) Vienna
A) Schubert's B) Beethoven's C) Mozart's D) Haydn's
A) Classical era B) Romantic era C) Renaissance era D) Baroque-era
A) The Allegretto movement B) Battle Symphony C) Wellington's Victory (Op. 91) D) Seventh Symphony, Op. 92
A) "Muss es sein?" B) "Von Herzen—Möge es wieder—Zu Herzen gehn!" C) "Es muss sein!" D) "Der schwer gefasste Entschluss"
A) £100 B) A portrait of him C) A lifetime membership D) A grand piano
A) E. T. A. Hoffmann B) General Bernadotte C) Czerny D) Archduke Rudolf
A) Ignaz Schuppanzigh B) Johann Albrechtsberger C) Antonio Salieri D) Joseph Haydn
A) Migraine B) Rheumatism C) Inflammatory fever D) Tuberculosis
A) 1500 florins B) 1000 florins C) 2000 florins D) 500 florins
A) Quartetto serioso B) Dramatic Quartet C) Tragic Quartet D) Heroic Quartet
A) Vienna B) Berlin C) Munich D) Budapest
A) A sudden illness B) Tuberculosis C) Rheumatism D) Migraine
A) She rejected his proposal. B) He had a passionate correspondence with her. C) He never wrote to her. D) They were married.
A) Otosclerosis B) Tinnitus C) Neural degeneration D) Auricular infection
A) 1824 B) 1798 C) 1802 D) 1815
A) San Jose, California B) Vienna C) St. Louis D) Bonn
A) In late 1820 B) In early 1813 C) On 8 November 1812 D) On 15 November 1815
A) 30 ducats per sonata. B) 50 ducats per quartet. C) 75 ducats per quartet. D) 100 ducats per quartet.
A) Bettina Brentano B) Antonie Brentano C) Rudolph D) Goethe
A) 1818 B) 1822 C) 1820 D) 1816
A) Franz Schubert B) Heinrich Anschütz C) Joseph Mayseder D) Anselm Hüttenbrenner
A) New compositions B) A fourth period C) Sub-periods D) The influence of other composers
A) 1880 B) 2007 C) 2001 D) August 1845
A) Malaria B) Cholera C) Tuberculosis D) Pneumonia
A) Dr. Malfatti B) Karl C) Andreas Ignaz Wawruch D) Schindler
A) Michael Umlauf B) Karl Holz C) Rudolph D) Schindler
A) Michael Umlauf B) Johann Friedrich Rochlitz C) Louis XVIII D) Rudolph
A) Composed between 1806–1814 B) Composed from 1824 onwards C) Opp. 59, 74 and 95 D) Op. 18 quartets
A) An die Hoffnung B) Der glorreiche Augenblick (The Glorious Moment) C) Wellington's Victory D) Fidelio
A) The concert was cancelled due to poor ticket sales B) It was a financial success C) Beethoven had to refund all the tickets D) It resulted in significant losses for Beethoven
A) Ninth Symphony B) Diabelli Variations C) Missa solemnis D) String Quartet No. 14
A) As supportive and caring. B) As minimal and uninvolved. C) As indifferent and distant. D) As an overbearing manner.
A) Johann Nepomuk Maelzel B) Moscheles C) Ludwig Spohr D) Duke of Wellington
A) F minor String Quartet B) Archduke Trio C) Meeresstille und glückliche Fahrt D) Egmont Overture
A) "With God's guidance." B) "To success!" C) "For art and glory." D) "O Man, help thyself."
A) Sign language B) Telegraph C) Braille D) Conversation books
A) Berlin B) Teplitz (now Teplice) C) Vienna D) Munich
A) The modern piano B) The professional orchestra C) Recording technology D) The art of conducting
A) Johann Sebastian Bach B) Wolfgang Amadeus Mozart C) George Frideric Handel D) Claudio Monteverdi
A) Concertos B) Piano sonatas C) The quartets D) Symphonies
A) 5,000 B) 10,000 C) 50,000 D) 20,000
A) Artaria B) Cramer C) Schlesinger D) Haslinger
A) 1823 B) 1825 C) 1826 D) 1824
A) Baden B) Berlin C) Munich D) Vienna
A) "Plaudite, amici, comoedia finita est" B) "Carpe diem" C) "To be or not to be" D) "Veni, vidi, vici"
A) Archduke Trio Op. 97 B) Fidelio C) Mass in C, Op. 86 D) Violin Concerto
A) Napoleon Bonaparte B) Charles X C) François I D) Louis XVIII
A) Thomas Broadwood B) Nannette Streicher C) Alois Jeitteles D) Maelzel
A) The decade 1790–1800 B) The decade 1780–1790 C) The decade 1810–1819 D) The decade 1820–1830 |