A) F.W. Murnau B) Alfred Hitchcock C) Robert Wiene D) Fritz Lang
A) 1920 B) 1930 C) 1915 D) 1925
A) Impressionism B) Surrealism C) German Expressionism D) Cubism
A) Alan B) Dr. Caligari C) Francis D) Cesare
A) Robert Wiene B) Alfred Hitchcock C) Hans Janowitz and Carl Mayer D) Fritz Lang
A) Die Schublade des Dr. Caligari B) Der Schrankenschreck von Dr. Caligari C) Der Schrank des Dr. Caligari D) Das Cabinet des Dr. Caligari
A) Yellow B) Red C) Blue D) Green
A) Ludwig B) Kurt C) Rudolf D) Cesare
A) Conrad Veidt B) Hans Janowitz C) Werner Krauss D) Carl Mayer
A) Hypnotist B) Doctor C) Police Officer D) Criminal
A) Naturalistic style B) Realistic style C) Fantastic, graphic style D) Minimalist style
A) An embodiment of justice B) The common man conditioned to kill C) A representation of artistic creativity D) A symbol of freedom and independence
A) Classic Cinema Awards B) Top 10 Horror Films C) Brussels 12 list D) Best Silent Films
A) Roger Ebert B) Danny Peary C) Hans Janowitz D) Carl Mayer
A) A documentary-style narration B) A frame story with a twist ending C) A linear, straightforward plot D) An open-ended conclusion
A) A police officer investigating the murders B) Dr. Caligari's assistant C) An unrelated bystander D) Franzis's fiancée who suffers a great ordeal
A) Dr. Caligari escapes from the asylum. B) Cesare returns as a ghost. C) Franzis is revealed to be an asylum inmate. D) Jane marries Franzis and they leave the asylum.
A) Hermann Warm, set designer. B) Erich Pommer, head of Decla-Film studio. C) Gilda Langer D) Ernst Deutsch, their mutual friend.
A) Italian spelling 'Cassettino' B) French spelling 'Cabinet' C) German spelling 'Kabinett' D) English spelling 'Cabinet'
A) 50 scenes B) 100 scenes C) 141 scenes D) 200 scenes
A) Hermann Warm B) Julius Sternheim C) Fritz Lang D) Erich Pommer
A) Caligaro B) Callisto C) Calligaris D) Cagliostro
A) 15,000 marks B) 5,000 marks C) 10,000 marks D) 3,500 marks
A) Hermann Warm B) Gilda Langer C) Erich Pommer D) Ernst Deutsch
A) Writer B) Fortune teller C) Director D) Actress
A) A military psychiatrist. B) Portraits of Arthur Schopenhauer. C) Stendhal's letters. D) A circus sideshow performer.
A) By fleeing to another country B) By feigning madness C) By serving as a pacifist officer D) By joining the film industry
A) 'The Great Illusion' B) 'Man or Machine?' C) 'The Enigma Show' D) 'The Hypnotist's Dream'
A) Peter Sellars B) Robert Lippert C) Stephen Sayadian D) Tom Palazzolo
A) Brian Satterwhite B) Peter Michael Hamel C) Jeff Beal D) Timothy Brock
A) Willy Hameister B) Fritz Arno Wagner C) Gustav Ucicky D) Karl Freund
A) Jeff Beal B) Timothy Brock C) Karl Bartos D) Brian Satterwhite
A) Timothy Brock B) Peter Michael Hamel C) Brian Satterwhite D) Geoff Smith
A) Babelsberg Studios, Potsdam B) UFA Film Studio, Neubabelsberg C) Lixie-Film studio in Weißensee, Berlin D) Murnau Studios, Munich
A) Peter Michael Hamel B) Geoff Smith C) Timothy Brock D) Brian Satterwhite
A) A subconscious need for a tyrant B) Support for bureaucratic efficiency C) An endorsement of military service D) A call for democratic reform
A) Brian Satterwhite B) Karl Bartos C) Timothy Brock D) Jeff Beal
A) Brian Satterwhite B) Timothy Brock C) Jeff Beal D) Peter Michael Hamel
A) Two weeks B) Three months C) Seven consecutive years D) One month
A) Lil Dagover B) Werner Krauss C) Conrad Veidt D) Friedrich Feger
A) Metro-Goldwyn-Mayer B) Goldwyn Distributing Company C) Universal Studios D) Paramount Pictures
A) Carl Mayer B) Robert Wiene C) Hans Janowitz D) Fritz Lang
A) Three months B) A few days C) One month D) About two weeks
A) 1921 B) 1918 C) 1920 D) 1919
A) Louis Delluc B) Erich Pommer C) Samuel Roxy Rothafel D) Ernö Rapée
A) John de Lancie B) Rob Zombie C) Doug Jones D) Luke Treadaway
A) The Club Foot Orchestra B) Brussels Philharmonic C) Scottish Opera D) Dallas Chamber Symphony
A) Monomyth B) Toundra C) Club Foot Orchestra D) Edison Studio
A) It was missing from the script. B) It ended with Caligari becoming institutionalised. C) It confirmed Kracauer's theory. D) It included a detailed epilogue.
A) Pre-World War I Europe B) Cold War tensions C) Post-World War I Germany D) World War II era
A) Goldwyn Distributing Company B) Universal Studios C) Cosmograph company D) Paramount Pictures
A) Due to lack of skilled set builders. B) It was a significant financial saving. C) To achieve a realistic look. D) To follow Alfred Kubin's style.
A) Alan B) Franzis C) Cesare D) Jane
A) Tom Palazzolo B) Fritz Lang C) Stephen Sayadian D) Robert Lippert
A) Friedrich Feger B) Lil Dagover C) Conrad Veidt D) Werner Krauss
A) Acting was considered the key factor. B) Scripts were prioritized over visual style. C) Sets held more importance than anything else. D) Costumes were the most important element.
A) Rob Zombie B) Fritz Lang C) Tom Palazzolo D) Jean Cocteau
A) : Noon B) : Afternoon C) : Midnight D) Dawn
A) Set designer B) Director C) Producer D) Screenwriter
A) John Moran B) Jeff Beal C) Timothy Brock D) Peter Michael Hamel
A) An adherence to traditional storytelling B) A realistic portrayal of events C) A focus on commercial success D) Artistic experimentation
A) Timothy Brock B) Deepan Sivaraman C) Peter Michael Hamel D) Jeff Beal
A) A character called 'Cranford' B) Louis Delluc C) Samuel Roxy Rothafel D) Erich Pommer
A) Lil Dagover B) Friedrich Feger C) Gilda Langer D) Hans-Heinz von Twardowski
A) : Economists B) : Political leaders C) : Artists D) Surviving soldiers
A) Expressionist B) Cubist C) Realistic D) Romantic
A) Arnold Schoenberg B) Claude Debussy C) Johann Strauss III D) Sergei Rachmaninoff
A) Silent Horror. B) Cali Gari. C) Weimar Republic. D) German Expressionists.
A) Minimalist stage design B) Historical accuracy C) Realist characters in stylised settings D) Naturalistic dialogue and settings
A) London B) Los Angeles C) New York City D) Paris |