A) F.W. Murnau B) Robert Wiene C) Fritz Lang D) Alfred Hitchcock
A) 1915 B) 1920 C) 1930 D) 1925
A) Surrealism B) Cubism C) German Expressionism D) Impressionism
A) Dr. Caligari B) Cesare C) Francis D) Alan
A) Fritz Lang B) Hans Janowitz and Carl Mayer C) Alfred Hitchcock D) Robert Wiene
A) Die Schublade des Dr. Caligari B) Das Cabinet des Dr. Caligari C) Der Schrankenschreck von Dr. Caligari D) Der Schrank des Dr. Caligari
A) Yellow B) Green C) Red D) Blue
A) Ludwig B) Rudolf C) Kurt D) Cesare
A) Carl Mayer B) Hans Janowitz C) Conrad Veidt D) Werner Krauss
A) Hypnotist B) Doctor C) Police Officer D) Criminal
A) Realistic style B) Fantastic, graphic style C) Minimalist style D) Naturalistic style
A) An embodiment of justice B) A symbol of freedom and independence C) A representation of artistic creativity D) The common man conditioned to kill
A) Top 10 Horror Films B) Classic Cinema Awards C) Brussels 12 list D) Best Silent Films
A) Roger Ebert B) Danny Peary C) Hans Janowitz D) Carl Mayer
A) A linear, straightforward plot B) A documentary-style narration C) An open-ended conclusion D) A frame story with a twist ending
A) Dr. Caligari's assistant B) Franzis's fiancée who suffers a great ordeal C) A police officer investigating the murders D) An unrelated bystander
A) Cesare returns as a ghost. B) Jane marries Franzis and they leave the asylum. C) Franzis is revealed to be an asylum inmate. D) Dr. Caligari escapes from the asylum.
A) Gilda Langer B) Hermann Warm, set designer. C) Erich Pommer, head of Decla-Film studio. D) Ernst Deutsch, their mutual friend.
A) English spelling 'Cabinet' B) French spelling 'Cabinet' C) German spelling 'Kabinett' D) Italian spelling 'Cassettino'
A) 200 scenes B) 100 scenes C) 50 scenes D) 141 scenes
A) Erich Pommer B) Fritz Lang C) Hermann Warm D) Julius Sternheim
A) Callisto B) Cagliostro C) Calligaris D) Caligaro
A) 10,000 marks B) 5,000 marks C) 15,000 marks D) 3,500 marks
A) Ernst Deutsch B) Gilda Langer C) Erich Pommer D) Hermann Warm
A) Writer B) Actress C) Director D) Fortune teller
A) Portraits of Arthur Schopenhauer. B) Stendhal's letters. C) A circus sideshow performer. D) A military psychiatrist.
A) By joining the film industry B) By fleeing to another country C) By feigning madness D) By serving as a pacifist officer
A) 'The Enigma Show' B) 'The Great Illusion' C) 'The Hypnotist's Dream' D) 'Man or Machine?'
A) Robert Lippert B) Stephen Sayadian C) Tom Palazzolo D) Peter Sellars
A) Timothy Brock B) Jeff Beal C) Brian Satterwhite D) Peter Michael Hamel
A) Karl Freund B) Fritz Arno Wagner C) Willy Hameister D) Gustav Ucicky
A) Jeff Beal B) Brian Satterwhite C) Karl Bartos D) Timothy Brock
A) Brian Satterwhite B) Timothy Brock C) Geoff Smith D) Peter Michael Hamel
A) Murnau Studios, Munich B) Babelsberg Studios, Potsdam C) UFA Film Studio, Neubabelsberg D) Lixie-Film studio in Weißensee, Berlin
A) Brian Satterwhite B) Peter Michael Hamel C) Geoff Smith D) Timothy Brock
A) A call for democratic reform B) Support for bureaucratic efficiency C) A subconscious need for a tyrant D) An endorsement of military service
A) Karl Bartos B) Timothy Brock C) Brian Satterwhite D) Jeff Beal
A) Timothy Brock B) Brian Satterwhite C) Jeff Beal D) Peter Michael Hamel
A) One month B) Three months C) Two weeks D) Seven consecutive years
A) Conrad Veidt B) Lil Dagover C) Werner Krauss D) Friedrich Feger
A) Goldwyn Distributing Company B) Universal Studios C) Paramount Pictures D) Metro-Goldwyn-Mayer
A) Robert Wiene B) Hans Janowitz C) Fritz Lang D) Carl Mayer
A) About two weeks B) One month C) A few days D) Three months
A) 1919 B) 1920 C) 1918 D) 1921
A) Erich Pommer B) Ernö Rapée C) Louis Delluc D) Samuel Roxy Rothafel
A) Luke Treadaway B) Rob Zombie C) John de Lancie D) Doug Jones
A) The Club Foot Orchestra B) Scottish Opera C) Brussels Philharmonic D) Dallas Chamber Symphony
A) Toundra B) Club Foot Orchestra C) Monomyth D) Edison Studio
A) It included a detailed epilogue. B) It was missing from the script. C) It confirmed Kracauer's theory. D) It ended with Caligari becoming institutionalised.
A) World War II era B) Cold War tensions C) Post-World War I Germany D) Pre-World War I Europe
A) Goldwyn Distributing Company B) Universal Studios C) Paramount Pictures D) Cosmograph company
A) To follow Alfred Kubin's style. B) To achieve a realistic look. C) Due to lack of skilled set builders. D) It was a significant financial saving.
A) Alan B) Jane C) Cesare D) Franzis
A) Fritz Lang B) Stephen Sayadian C) Tom Palazzolo D) Robert Lippert
A) Werner Krauss B) Lil Dagover C) Friedrich Feger D) Conrad Veidt
A) Costumes were the most important element. B) Scripts were prioritized over visual style. C) Sets held more importance than anything else. D) Acting was considered the key factor.
A) Jean Cocteau B) Fritz Lang C) Rob Zombie D) Tom Palazzolo
A) : Noon B) : Midnight C) : Afternoon D) Dawn
A) Producer B) Director C) Screenwriter D) Set designer
A) Timothy Brock B) Peter Michael Hamel C) Jeff Beal D) John Moran
A) A realistic portrayal of events B) Artistic experimentation C) A focus on commercial success D) An adherence to traditional storytelling
A) Timothy Brock B) Jeff Beal C) Deepan Sivaraman D) Peter Michael Hamel
A) Erich Pommer B) Louis Delluc C) Samuel Roxy Rothafel D) A character called 'Cranford'
A) Friedrich Feger B) Gilda Langer C) Hans-Heinz von Twardowski D) Lil Dagover
A) : Economists B) : Political leaders C) Surviving soldiers D) : Artists
A) Cubist B) Expressionist C) Romantic D) Realistic
A) Sergei Rachmaninoff B) Johann Strauss III C) Arnold Schoenberg D) Claude Debussy
A) German Expressionists. B) Silent Horror. C) Cali Gari. D) Weimar Republic.
A) Historical accuracy B) Minimalist stage design C) Naturalistic dialogue and settings D) Realist characters in stylised settings
A) Los Angeles B) Paris C) New York City D) London |