A) Alfred Hitchcock B) Fritz Lang C) F.W. Murnau D) Robert Wiene
A) 1920 B) 1925 C) 1930 D) 1915
A) Surrealism B) German Expressionism C) Cubism D) Impressionism
A) Alan B) Cesare C) Francis D) Dr. Caligari
A) Alfred Hitchcock B) Fritz Lang C) Hans Janowitz and Carl Mayer D) Robert Wiene
A) Der Schrank des Dr. Caligari B) Die Schublade des Dr. Caligari C) Der Schrankenschreck von Dr. Caligari D) Das Cabinet des Dr. Caligari
A) Blue B) Green C) Yellow D) Red
A) Kurt B) Ludwig C) Rudolf D) Cesare
A) Werner Krauss B) Hans Janowitz C) Carl Mayer D) Conrad Veidt
A) Hypnotist B) Police Officer C) Criminal D) Doctor
A) Realistic style B) Fantastic, graphic style C) Minimalist style D) Naturalistic style
A) A representation of artistic creativity B) A symbol of freedom and independence C) The common man conditioned to kill D) An embodiment of justice
A) Classic Cinema Awards B) Best Silent Films C) Top 10 Horror Films D) Brussels 12 list
A) Danny Peary B) Hans Janowitz C) Carl Mayer D) Roger Ebert
A) An open-ended conclusion B) A linear, straightforward plot C) A frame story with a twist ending D) A documentary-style narration
A) Dr. Caligari's assistant B) A police officer investigating the murders C) Franzis's fiancée who suffers a great ordeal D) An unrelated bystander
A) Dr. Caligari escapes from the asylum. B) Jane marries Franzis and they leave the asylum. C) Franzis is revealed to be an asylum inmate. D) Cesare returns as a ghost.
A) Hermann Warm, set designer. B) Ernst Deutsch, their mutual friend. C) Erich Pommer, head of Decla-Film studio. D) Gilda Langer
A) Italian spelling 'Cassettino' B) German spelling 'Kabinett' C) English spelling 'Cabinet' D) French spelling 'Cabinet'
A) 141 scenes B) 50 scenes C) 100 scenes D) 200 scenes
A) Fritz Lang B) Erich Pommer C) Hermann Warm D) Julius Sternheim
A) Cagliostro B) Caligaro C) Calligaris D) Callisto
A) 5,000 marks B) 15,000 marks C) 3,500 marks D) 10,000 marks
A) Hermann Warm B) Erich Pommer C) Ernst Deutsch D) Gilda Langer
A) Director B) Actress C) Writer D) Fortune teller
A) Stendhal's letters. B) A circus sideshow performer. C) Portraits of Arthur Schopenhauer. D) A military psychiatrist.
A) By fleeing to another country B) By joining the film industry C) By serving as a pacifist officer D) By feigning madness
A) 'The Great Illusion' B) 'The Enigma Show' C) 'The Hypnotist's Dream' D) 'Man or Machine?'
A) Stephen Sayadian B) Tom Palazzolo C) Robert Lippert D) Peter Sellars
A) Peter Michael Hamel B) Brian Satterwhite C) Timothy Brock D) Jeff Beal
A) Gustav Ucicky B) Karl Freund C) Fritz Arno Wagner D) Willy Hameister
A) Timothy Brock B) Brian Satterwhite C) Jeff Beal D) Karl Bartos
A) Peter Michael Hamel B) Geoff Smith C) Brian Satterwhite D) Timothy Brock
A) Babelsberg Studios, Potsdam B) UFA Film Studio, Neubabelsberg C) Murnau Studios, Munich D) Lixie-Film studio in Weißensee, Berlin
A) Peter Michael Hamel B) Geoff Smith C) Brian Satterwhite D) Timothy Brock
A) A call for democratic reform B) Support for bureaucratic efficiency C) An endorsement of military service D) A subconscious need for a tyrant
A) Brian Satterwhite B) Jeff Beal C) Karl Bartos D) Timothy Brock
A) Jeff Beal B) Peter Michael Hamel C) Timothy Brock D) Brian Satterwhite
A) Seven consecutive years B) One month C) Two weeks D) Three months
A) Werner Krauss B) Lil Dagover C) Conrad Veidt D) Friedrich Feger
A) Universal Studios B) Metro-Goldwyn-Mayer C) Goldwyn Distributing Company D) Paramount Pictures
A) Carl Mayer B) Hans Janowitz C) Fritz Lang D) Robert Wiene
A) One month B) About two weeks C) A few days D) Three months
A) 1921 B) 1919 C) 1920 D) 1918
A) Louis Delluc B) Samuel Roxy Rothafel C) Erich Pommer D) Ernö Rapée
A) John de Lancie B) Rob Zombie C) Doug Jones D) Luke Treadaway
A) Dallas Chamber Symphony B) The Club Foot Orchestra C) Brussels Philharmonic D) Scottish Opera
A) Monomyth B) Club Foot Orchestra C) Edison Studio D) Toundra
A) It was missing from the script. B) It included a detailed epilogue. C) It confirmed Kracauer's theory. D) It ended with Caligari becoming institutionalised.
A) Pre-World War I Europe B) Cold War tensions C) World War II era D) Post-World War I Germany
A) Goldwyn Distributing Company B) Universal Studios C) Paramount Pictures D) Cosmograph company
A) It was a significant financial saving. B) To achieve a realistic look. C) To follow Alfred Kubin's style. D) Due to lack of skilled set builders.
A) Franzis B) Cesare C) Alan D) Jane
A) Tom Palazzolo B) Robert Lippert C) Stephen Sayadian D) Fritz Lang
A) Conrad Veidt B) Friedrich Feger C) Lil Dagover D) Werner Krauss
A) Scripts were prioritized over visual style. B) Acting was considered the key factor. C) Sets held more importance than anything else. D) Costumes were the most important element.
A) Tom Palazzolo B) Fritz Lang C) Jean Cocteau D) Rob Zombie
A) : Midnight B) : Afternoon C) Dawn D) : Noon
A) Screenwriter B) Set designer C) Producer D) Director
A) Jeff Beal B) Peter Michael Hamel C) Timothy Brock D) John Moran
A) A focus on commercial success B) Artistic experimentation C) An adherence to traditional storytelling D) A realistic portrayal of events
A) Jeff Beal B) Peter Michael Hamel C) Deepan Sivaraman D) Timothy Brock
A) Erich Pommer B) Samuel Roxy Rothafel C) A character called 'Cranford' D) Louis Delluc
A) Hans-Heinz von Twardowski B) Gilda Langer C) Friedrich Feger D) Lil Dagover
A) : Economists B) Surviving soldiers C) : Political leaders D) : Artists
A) Realistic B) Romantic C) Cubist D) Expressionist
A) Arnold Schoenberg B) Sergei Rachmaninoff C) Claude Debussy D) Johann Strauss III
A) Cali Gari. B) Weimar Republic. C) German Expressionists. D) Silent Horror.
A) Naturalistic dialogue and settings B) Historical accuracy C) Realist characters in stylised settings D) Minimalist stage design
A) Los Angeles B) London C) New York City D) Paris |