A) Fritz Lang B) Robert Wiene C) Alfred Hitchcock D) F.W. Murnau
A) 1930 B) 1915 C) 1920 D) 1925
A) Surrealism B) Impressionism C) German Expressionism D) Cubism
A) Dr. Caligari B) Alan C) Francis D) Cesare
A) Fritz Lang B) Hans Janowitz and Carl Mayer C) Alfred Hitchcock D) Robert Wiene
A) Der Schrankenschreck von Dr. Caligari B) Das Cabinet des Dr. Caligari C) Der Schrank des Dr. Caligari D) Die Schublade des Dr. Caligari
A) Red B) Blue C) Yellow D) Green
A) Rudolf B) Ludwig C) Kurt D) Cesare
A) Conrad Veidt B) Hans Janowitz C) Carl Mayer D) Werner Krauss
A) Doctor B) Police Officer C) Criminal D) Hypnotist
A) Fantastic, graphic style B) Realistic style C) Naturalistic style D) Minimalist style
A) The common man conditioned to kill B) A symbol of freedom and independence C) A representation of artistic creativity D) An embodiment of justice
A) Classic Cinema Awards B) Top 10 Horror Films C) Best Silent Films D) Brussels 12 list
A) Carl Mayer B) Danny Peary C) Hans Janowitz D) Roger Ebert
A) A frame story with a twist ending B) A documentary-style narration C) An open-ended conclusion D) A linear, straightforward plot
A) Dr. Caligari's assistant B) A police officer investigating the murders C) Franzis's fiancée who suffers a great ordeal D) An unrelated bystander
A) Cesare returns as a ghost. B) Franzis is revealed to be an asylum inmate. C) Jane marries Franzis and they leave the asylum. D) Dr. Caligari escapes from the asylum.
A) Gilda Langer B) Hermann Warm, set designer. C) Ernst Deutsch, their mutual friend. D) Erich Pommer, head of Decla-Film studio.
A) Italian spelling 'Cassettino' B) French spelling 'Cabinet' C) English spelling 'Cabinet' D) German spelling 'Kabinett'
A) 50 scenes B) 141 scenes C) 100 scenes D) 200 scenes
A) Hermann Warm B) Julius Sternheim C) Fritz Lang D) Erich Pommer
A) Calligaris B) Callisto C) Caligaro D) Cagliostro
A) 5,000 marks B) 3,500 marks C) 15,000 marks D) 10,000 marks
A) Hermann Warm B) Erich Pommer C) Gilda Langer D) Ernst Deutsch
A) Director B) Writer C) Actress D) Fortune teller
A) Portraits of Arthur Schopenhauer. B) A circus sideshow performer. C) Stendhal's letters. D) A military psychiatrist.
A) By feigning madness B) By fleeing to another country C) By joining the film industry D) By serving as a pacifist officer
A) 'The Great Illusion' B) 'The Hypnotist's Dream' C) 'Man or Machine?' D) 'The Enigma Show'
A) Robert Lippert B) Peter Sellars C) Stephen Sayadian D) Tom Palazzolo
A) Brian Satterwhite B) Jeff Beal C) Timothy Brock D) Peter Michael Hamel
A) Gustav Ucicky B) Willy Hameister C) Fritz Arno Wagner D) Karl Freund
A) Karl Bartos B) Brian Satterwhite C) Timothy Brock D) Jeff Beal
A) Geoff Smith B) Peter Michael Hamel C) Timothy Brock D) Brian Satterwhite
A) Murnau Studios, Munich B) Lixie-Film studio in Weißensee, Berlin C) Babelsberg Studios, Potsdam D) UFA Film Studio, Neubabelsberg
A) Peter Michael Hamel B) Geoff Smith C) Brian Satterwhite D) Timothy Brock
A) Support for bureaucratic efficiency B) A call for democratic reform C) A subconscious need for a tyrant D) An endorsement of military service
A) Jeff Beal B) Brian Satterwhite C) Karl Bartos D) Timothy Brock
A) Peter Michael Hamel B) Brian Satterwhite C) Timothy Brock D) Jeff Beal
A) Two weeks B) Three months C) Seven consecutive years D) One month
A) Werner Krauss B) Friedrich Feger C) Conrad Veidt D) Lil Dagover
A) Paramount Pictures B) Universal Studios C) Metro-Goldwyn-Mayer D) Goldwyn Distributing Company
A) Robert Wiene B) Carl Mayer C) Hans Janowitz D) Fritz Lang
A) A few days B) One month C) About two weeks D) Three months
A) 1919 B) 1921 C) 1918 D) 1920
A) Louis Delluc B) Erich Pommer C) Samuel Roxy Rothafel D) Ernö Rapée
A) Rob Zombie B) Luke Treadaway C) Doug Jones D) John de Lancie
A) The Club Foot Orchestra B) Scottish Opera C) Brussels Philharmonic D) Dallas Chamber Symphony
A) Monomyth B) Edison Studio C) Club Foot Orchestra D) Toundra
A) It was missing from the script. B) It included a detailed epilogue. C) It confirmed Kracauer's theory. D) It ended with Caligari becoming institutionalised.
A) Pre-World War I Europe B) Post-World War I Germany C) Cold War tensions D) World War II era
A) Cosmograph company B) Universal Studios C) Paramount Pictures D) Goldwyn Distributing Company
A) To achieve a realistic look. B) Due to lack of skilled set builders. C) To follow Alfred Kubin's style. D) It was a significant financial saving.
A) Alan B) Jane C) Franzis D) Cesare
A) Tom Palazzolo B) Fritz Lang C) Stephen Sayadian D) Robert Lippert
A) Lil Dagover B) Friedrich Feger C) Werner Krauss D) Conrad Veidt
A) Sets held more importance than anything else. B) Costumes were the most important element. C) Acting was considered the key factor. D) Scripts were prioritized over visual style.
A) Tom Palazzolo B) Jean Cocteau C) Fritz Lang D) Rob Zombie
A) : Midnight B) Dawn C) : Noon D) : Afternoon
A) Screenwriter B) Set designer C) Producer D) Director
A) Peter Michael Hamel B) Timothy Brock C) John Moran D) Jeff Beal
A) Artistic experimentation B) A focus on commercial success C) A realistic portrayal of events D) An adherence to traditional storytelling
A) Timothy Brock B) Jeff Beal C) Deepan Sivaraman D) Peter Michael Hamel
A) A character called 'Cranford' B) Samuel Roxy Rothafel C) Erich Pommer D) Louis Delluc
A) Hans-Heinz von Twardowski B) Lil Dagover C) Friedrich Feger D) Gilda Langer
A) : Economists B) : Artists C) Surviving soldiers D) : Political leaders
A) Realistic B) Cubist C) Expressionist D) Romantic
A) Claude Debussy B) Arnold Schoenberg C) Sergei Rachmaninoff D) Johann Strauss III
A) Silent Horror. B) German Expressionists. C) Cali Gari. D) Weimar Republic.
A) Naturalistic dialogue and settings B) Historical accuracy C) Minimalist stage design D) Realist characters in stylised settings
A) London B) Los Angeles C) New York City D) Paris |