A) Cello and piano B) Piano solo C) Full orchestra D) Violin solo
A) 48 B) 24 C) 27 D) 12
A) Only major keys B) Natural keys only C) All major and minor keys D) Only minor keys
A) Three B) Four C) Five D) Two
A) C major B) E♭ minor C) C♯ minor D) A♭ major
A) 1835 B) 1839 C) 1838 D) 1834
A) C major B) E♭ minor C) C♯ minor D) A♭ major
A) No. 27 B) No. 25 C) No. 26 D) No. 24
A) No. 26 B) No. 28 C) No. 25 D) No. 27
A) 1838 B) 1845 C) 1835 D) 1839
A) 1840 and 1842 B) 1825 and 1828 C) 1830 and 1832 D) 1835 and 1839
A) Paris B) Vienna C) Mallorca D) Warsaw
A) Berlin, Germany B) Rome, Italy C) Valldemossa, Mallorca D) Paris, France
A) To attend a music festival B) To meet Johann Sebastian Bach C) To escape the damp Paris weather D) To open a piano factory
A) Schumann B) Bach C) Beethoven D) Mozart
A) The Brandenburg Concertos B) The Goldberg Variations C) The Well-Tempered Clavier D) The Art of Fugue
A) Busoni B) Sand C) Pleyel D) Kessler
A) Alfred Cortot B) Camille Pleyel C) Joseph Christoph Kessler D) Ferruccio Busoni
A) Anna Yesipova B) George Sand C) Camille Pleyel D) Joseph Christoph Kessler
A) Concert promoter B) Composer and violinist C) Piano-maker and publisher D) Music critic
A) 500 francs B) 5,000 francs C) 1,000 francs D) 2,000 francs
A) The French edition B) The English edition C) The German edition D) The Spanish edition
A) Five years B) Ten years C) Fifteen years D) Twenty years
A) Op. 31 B) Op. 28 C) Op. 45 D) Op. 10
A) As a standalone symphony B) To describe an introductory piece C) As a vocal accompaniment D) As a grand finale
A) As unfinished sketches B) As orchestral arrangements C) As improvisatory warm-ups D) As self-contained units
A) The standard sonata form B) A genre title often associated with improvisatory 'preluding' C) The rules of classical harmony D) The traditional fugue structure
A) According to keys separated by rising semitones B) In random order C) Using a circle of fifths D) By major keys only
A) A circle of fifths B) Random key ordering C) Rising semitones D) Descending chromatic scale
A) Its relative minor B) Its parallel major C) The dominant key D) The subdominant key
A) Two B) Twelve C) Four D) Twenty-four
A) 100 years B) 50 years C) 10 years D) 25 years
A) Alfred Cortot B) Anna Yesipova C) Joseph Christoph Kessler D) Ferruccio Busoni
A) 1876 B) 1915 C) 1839 D) 1926
A) Alfred Cortot B) Camille Pleyel C) Ferruccio Busoni D) Anna Yesipova
A) 1926 B) 1915 C) 1839 D) 1876
A) Vinyl LP records B) Magnetic audio tape C) Piano rolls for the Duo-Art label D) Digital compact discs
A) Alfred Cortot B) George Sand C) Joseph Christoph Kessler D) Anna Yesipova
A) 1915 B) 1876 C) 1926 D) 1939
A) Yes, to all of them B) Only to the minor keys C) No D) Yes, to half of them
A) Johann Sebastian Bach and Ludwig van Beethoven B) Robert Schumann and Franz Liszt C) Wolfgang Amadeus Mozart and Joseph Haydn D) Johannes Brahms and Felix Mendelssohn
A) 12 bars B) 24 bars C) 45 bars D) 90 bars
A) Number 17 B) Number 28 C) Number 9 D) Number 7
A) 12 seconds B) 90 seconds C) 45 seconds D) 1 minute 25 seconds
A) Jeremy Nicholas B) Henry Finck C) Anatole Leikin D) Jeffrey Kresky
A) Dies irae B) Golden dreams C) Eagle pinions D) Opus 28
A) Easter mass B) Wedding mass C) Christmas mass D) Requiem mass
A) As individual eagle pinions B) As a single uninterrupted 90-bar piece C) Conceived in pairs D) As twenty-four completely random pieces
A) Romance B) Death C) Joy D) Nature
A) Hidden quotes B) Formal thematic structure C) Connected motifs D) Pairs of preludes
A) Descending diatonic scale B) Random key sequence C) Circle of fifths D) Ascending chromatic order
A) Mozart B) Beethoven C) Schubert D) Hummel
A) 1815 B) 2002 C) 1834 D) 1841
A) Devil's Trill B) Allegro maestoso C) Andante spianato D) Presto con leggierezza
A) 1834 B) 2002 C) 1841 D) 1918
A) Pierre Wolff B) Joseph Christoph Kessler C) Jeffrey Kallberg D) Alain Jacquon
A) Jeffrey Kallberg B) Pierre Wolff C) Harold C. Schonberg D) Alain Jacquon
A) Hummel B) Johann Sebastian Bach C) Joseph Christoph Kessler D) Giuseppe Tartini
A) Newport B) Paris C) Majorca D) Geneva
A) Hastily scrawled B) Written in gold ink C) Neat and precise D) Completely missing
A) July 2002 B) 1841 C) 1918 D) 1834
A) Harold C. Schonberg B) Pierre Wolff C) Jeffrey Kallberg D) Alain Jacquon |