A) Understanding basic anatomy B) Outlining the figure C) Adding detailed shading D) Sketching clothes
A) Detailed facial features B) Drawing individual muscles C) Adding highlights D) Gesture drawing
A) The outline of the figure B) The placement of shadows C) An imaginary line showing the pose's energy D) The spine's physical location
A) 5 heads B) 7.5 - 8 heads C) 6 heads D) 9 heads
A) Understanding bone structure B) Studying proportions C) Memorizing every muscle name D) Observing real life poses
A) A symmetrical, rigid pose B) A natural stance with weight on one leg C) A specific type of clothing D) A muscle group in the abdomen
A) Cross-hatching B) Stippling C) Hatching D) Blending
A) To avoid using imagination B) To speed up the drawing process C) To improve accuracy and understanding D) To copy exactly, without learning
A) A type of perspective drawing B) A painting technique using only shades of gray C) The use of strong contrasts between light and dark D) A specific muscle group
A) Using a very light pencil B) The visual compression of objects extending into space C) Ignoring perspective D) Drawing objects at their actual length
A) Bright colors B) Shading C) Ignoring light source D) Outlines only
A) Shading, Structure, Gesture, Details B) Details, Shading, Gesture, Structure C) Structure, Details, Gesture, Shading D) Gesture, Structure, Details, Shading
A) To avoid anatomy studies B) To understand the underlying structure and movement C) To draw the clothes accurately D) To create the final artwork
A) By using only one shade of color B) By avoiding hair details C) By drawing every single hair strand D) By drawing clumps and volumes, not individual strands
A) Ignoring perspective rules B) Drawing in a studio with natural light C) Objects fade and lose detail with distance D) Using bright, saturated colors for distant objects
A) To avoid drawing the background B) To create a confusing composition C) To create a dark background D) To accurately represent the shapes around the figure
A) They are irrelevant to drawing the figure B) They are only visible in very thin figures C) They help define the surface form of the figure D) They are only important for medical illustration
A) They make the figure look unrealistic B) They create volume and define the surface contours C) They only affect movement, not appearance D) They have no impact on the external shape
A) Ignoring anatomy entirely B) Relying solely on imagination C) Studying anatomy books and observing real life D) Guessing muscle locations
A) They are not important details B) They are always hidden under clothing C) They are expressive and contribute to the overall realism D) They should be avoided because they are too difficult
A) Never seek criticism B) Only draw from imagination C) Give up easily when frustrated D) Practice consistently and seek feedback
A) HB or softer (2B, 4B) B) Hard (4H, 6H) C) Mechanical pencils only D) Pens only
A) To apply texture B) To erase mistakes C) To magnify the subject D) To help with composition and framing
A) A small, quick sketch to explore composition ideas B) A sketch using only your thumb C) A highly detailed drawing D) A sketch of only the head
A) They are always straight lines B) They are random and unpredictable C) They radiate from points of tension D) They follow the shape of the garment exactly
A) The color palette used B) The point where light hits the object C) The point where an object's weight is evenly distributed D) The highest point of the object
A) It only affects the texture of the paper B) It has no impact on the drawing C) It is determined by the pencil hardness only D) To create depth and emphasize certain areas
A) Drawing from life is a waste of time B) Copying photos is always superior C) They are equally bad D) Drawing from life is ideal, but both are useful
A) The outline of an object B) A three-dimensional shape, or the illusion of one C) The subject matter of the artwork D) The colors used in the artwork
A) It only adds aesthetic appeal B) It's unnecessary if you have good line art C) It creates the illusion of depth and volume D) It makes the figure harder to see |