A) C major B) G major C) A minor D) D major
A) There are no dynamic indications B) They are only present in the first movement C) They are marked only in the second movement D) They are extensively detailed
A) I. Allegro ma non troppo B) Neither movement C) Both movements D) II. Tempo di Menuetto
A) Rondo B) Binary form C) Theme and variations D) Sonata form
A) G major B) C major C) D major D) A minor
A) C major, F major, and B flat major B) A major, E major, and B major C) D minor, A minor, and E minor D) G minor, C minor, and F minor
A) String Quartet No. 14 B) Op. 20 Septet C) Symphony No. 5 D) Symphony No. 9
A) A scherzo B) A sonata form C) A fugue D) A minuet
A) Most critical B) Not important C) Easy to manage D) Slightly challenging
A) He reused one of its themes in a later piece B) He disliked the key of G major C) He found it too complex D) He lost the manuscript
A) Sonata No. 19 B) Sonata No. 8 C) Sonata No. 14 D) Sonata No. 20
A) Simplified sonata form B) Theme and variations C) Rondo form D) Binary form
A) Polytonal B) Monotonal C) Heterotonal D) Homotonal
A) 1805 B) 1797 C) 1810 D) 1820
A) Two B) Four C) One D) Three
A) Leichte Sonaten B) Facile Sonaten C) Simplice Sonaten D) Kleine Sonaten
A) Kaspar van Beethoven B) Ludwig van Beethoven C) Nikolaus Zmeskall D) Joseph Haydn
A) Rondo B) Sonata-allegro C) Theme and variations D) Minuet and trio
A) Two B) Three C) Five D) Four
A) Sviatoslav Richter B) Franz Liszt C) Frédéric Chopin D) Wolfgang Amadeus Mozart
A) Sonata-allegro B) Rondo C) Sonata-rondo D) Theme and variations
A) Augmented sixth B) Diminished seventh C) Picardy third D) Minor third
A) Eight minutes B) Fifteen minutes C) Ten minutes D) Five minutes
A) Finale B) First movement C) Development D) Slow movement
A) Arthur Rubinstein B) Glenn Gould C) Maurizio Pollini D) Daniel Barenboim |