A) By hiring professional models to pose B) By sketching directly onto the wall C) By laying out many stock drawings on the floor D) By painting small miniatures
A) Exactly ten B) Fewer than five C) Over forty D) Over four hundred
A) A focus on speed and intuition over planning B) A rejection of traditional drafting techniques C) A shift of resources away from production to research and development D) A reliance on apprentices for all major decisions
A) A blind stylus B) A pin and a bag of soot C) A stencil and charcoal D) A brush and ink
A) Scratching lines that leave an indentation without a mark B) Creating dark outlines on plaster C) Applying highlights in white D) Transferring color to tapestry designs
A) Lucretia B) The School of Athens C) Galatea D) The Disputa
A) Oil paint B) Fresco C) Metalpoint D) Glue distemper
A) Often painfully more attractive B) Less precise than the paintings C) Identical in quality to the paintings D) Inferior to the paintings
A) They lack the same freedom and energy B) They are more chaotic and rough C) They are far more abstract D) They show superior anatomical knowledge
A) Metalpoint B) Wax crayon C) Oil on wood D) Watercolour
A) He stopped using his male pupils as models B) He was one of the first to use female models C) He stopped using human models entirely D) He exclusively used royalty as models
A) Baviero Carocci B) Vasari C) Titian D) Marcantonio Raimondi
A) Exactly twelve B) Over five hundred C) About fifty D) Over two hundred
A) The Last Supper B) The Sistine Madonna C) The Mona Lisa D) The Judgement of Paris
A) Baviero Carocci B) Marcantonio Raimondi C) The Vatican D) Titian
A) Antonio da Sangallo the Younger B) Bernini C) Raphael D) Michelangelo
A) Giovanni Battista Branconio B) Agostino Chigi C) Pope Julius II D) Cardinal Giulio de' Medici
A) Frescoes B) Oil paintings C) Mosaics D) Stained glass
A) Villa Farnesina B) Palazzo Branconio dell'Aquila C) Palazzo Jacopo da Brescia D) Villa Madama
A) Bramante B) Marco Fabio Calvo C) Bernini D) Antonio da Sangallo the Younger
A) Bernini B) Palladio C) Bramante D) Michelangelo
A) Near St Peter's B) Via Giulia C) On a hill D) Inside the Vatican
A) Antonio da Sangallo the Younger B) Agostino Chigi C) Marco Fabio Calvo D) Giovanni Battista Branconio
A) Vatican Library B) Library in Munich C) British Museum D) Uffizi Gallery
A) Cardinal B) Papal Chamberlain C) Papal Treasurer D) Doctor
A) 1498 B) 1500 C) 1494 D) 1491
A) Evangelista da Pian di Meleto B) Timoteo Viti C) Bartolomeo D) Pietro Perugino
A) Bartolomeo B) Pinturicchio C) Wölfflin D) Vasari
A) Paolo Uccello B) Timoteo Viti C) Pietro Perugino D) Luca Signorelli
A) December 1500 B) 1504 C) 1498 D) 1501
A) Mond Crucifixion B) The Marriage of the Virgin C) Baronci Altarpiece D) Oddi Altarpiece
A) Urbino court B) Church of Saint Nicholas of Tolentino C) Siena Cathedral D) Perugia Cathedral
A) 1502 B) 1500 C) 1503 D) 1504
A) Eleven B) Fourteen C) Eight D) Sixteen
A) Rome B) Urbino C) Mantua D) Florence
A) Architect B) Sculptor C) Court painter D) Duke
A) Pope Julius II B) Pope Sixtus IV C) Federico da Montefeltro D) Guidobaldo da Montefeltro
A) Military strategy B) Scientific research C) Merchant trade D) Literary culture
A) Cecilia Gallerani B) Lucrezia Borgia C) Isabella d'Este D) Elisabetta Gonzaga
A) Giovanni Santi B) Pietro Bibbiena C) Giorgio Vasari D) Baldassare Castiglione
A) 1528 B) 1504 C) 1520 D) 1483
A) Giovanni Santi B) Pietro Santi C) Guidobaldo Santi D) Federico Santi
A) He was a reclusive artist B) He was only interested in politics C) His career appeared effortless D) He lacked artistic talent
A) Marche B) Umbria C) Lombardy D) Tuscany
A) 1520 B) 1483 C) 1500 D) 1508
A) Neoclassical B) Early Baroque C) High Renaissance D) Late Gothic
A) Umbria B) Rome C) Urbino D) Florence
A) 31 B) 37 C) 28 D) 42
A) Pre-Raphaelite Brotherhood B) The Florentine School C) The Roman Architects D) The Neoclassicists
A) Leonardo da Vinci B) Johann Joachim Winckelmann C) Michelangelo D) Pietro Perugino
A) Vatican Palace B) Florence Academy C) St. Peter's Basilica D) Urbino Cathedral
A) Johann Joachim Winckelmann B) Giorgio Vasari C) Giovanni Santi D) Pietro Perugino
A) Nomadic B) Isolated C) Urban D) Sedentary
A) 1500–1504 B) 1498–1502 C) 1504–1508 D) 1508–1512
A) Three-quarter length pyramidal composition B) Extreme foreshortening C) Full-body frontal stance D) Linear perspective shading
A) Leonardo da Vinci B) Perugino C) Michelangelo D) Fra Bartolomeo
A) Eight years B) Thirty years C) Twenty years D) Five years
A) Copying his frescoes B) Conspiring against him C) Stealing his designs D) Ignoring his classical influences
A) Classical sarcophagi B) Leonardo's sketches C) Medieval tapestries D) Michelangelo's Doni Tondo
A) The Last Supper B) Doni Tondo C) Leda and the Swan D) Mona Lisa
A) Chiaroscuro B) Sfumato C) Linear perspective D) Impasto
A) Botanical illustrations B) Landscape backgrounds C) Architectural ruins D) Fighting nude men
A) Donato Bramante B) Julius II C) Alexander VI D) Leo X
A) Cardinal Bibbiena B) Vasari C) Donato Bramante D) Michelangelo
A) Alexander VI B) Leo X C) Paul III D) Pius III
A) Stanza della Segnatura B) Sistine Chapel ceiling C) The School of Athens D) St. Peter's Basilica
A) The Vatican Palace B) The Grand Manner Room C) Stanza della Segnatura D) The Parnassus
A) Paul II B) Leo X C) Clement VII D) Alexander VI
A) 1511 B) 1508 C) 1520 D) 1513
A) Plato B) Heraclitus C) Aristotle D) Socrates
A) Incompetence B) Plagiarism C) Treason D) Blasphemy
A) Chaotic motion B) Religious confusion C) Euclidian certainties D) Dark idealism
A) Sprezzatura B) Grand manner C) High Renaissance D) Classical grace
A) Prefect B) Pope C) Curator D) Architect
A) Three days B) One week C) Twenty-four hours D) One month
A) 50,000 ducats B) 10,000 ducats C) 100,000 ducats D) 90,000 ducats
A) One B) Four C) Twenty D) Ten
A) Louis XII B) Henry II C) Francis I D) Charles VIII
A) Venice B) Rome C) Brussels D) Paris
A) Five B) Seven C) Ten D) Three
A) Baroque B) Grottesche C) Gothic D) Mannerist
A) Transfiguration B) Ecstasy of St. Cecilia C) Triumph of Galatea D) Sistine Madonna
A) Copper B) Stone C) Wood D) Canvas
A) Copper B) Silver C) Bismuth D) Zinc
A) Coconut or almond oils B) Olive or sesame oils C) Linseed or walnut oils D) Sunflower or palm oils
A) Pure Mannerist B) Renaissance C) Impressionist D) Proto-Baroque
A) Giovanni da Udine B) Giulio Romano C) Gianfrancesco Penni D) Perino del Vaga
A) Gianfrancesco Penni B) Timoteo Viti C) Luca Penni D) Lorenzetto
A) Bernard van Orley B) Battista Dossi C) Andrea Sabbatini D) Vincenzo Tamagni
A) Their design B) Their use of oil paint C) Their brushwork D) Their historical accuracy
A) Maria Bibbiena B) Margherita Luti C) A Roman noblewoman D) The daughter of a baker from Siena
A) Pietro Bembo B) Margherita Luti C) Maria Bibbiena D) Baviera
A) Pietro Bembo B) Baviera C) Penni D) Giulio Romano
A) The Palazzo Caprini B) St. Peter's Basilica C) The Pantheon D) The Loggia
A) Pietro Bembo B) Joshua Reynolds C) Vasari D) Paris de Grassis
A) Pre-Raphaelitism B) Mannerism C) Baroque D) Renaissance Humanism
A) Beauty B) Execution C) Thought D) Form
A) Portraiture B) Religious art C) Panel painting D) History painting
A) It is the most continuous B) It vanished in the 20th century C) It was purely academic D) It was less than Michelangelo's |