A) Manueline vaulting B) Diamond rustication C) Mudéjar patterning D) Ashlar masonry
A) Černín Palace B) Casa dos Bicos C) Palazzo dei Diamanti D) Palacio de Jabalquinto
A) 1523 B) 1503 C) 1585 D) 1492
A) Milan B) Ferrara C) Catania D) Moscow
A) Baroque B) Late Gothic C) Renaissance D) Classical
A) Mudéjar B) Bossage C) Isabelline D) Ashlar
A) Scotland B) Portugal C) Italy D) Spain
A) Černín Palace B) Crichton Castle C) Castello Sforzesco D) Palazzo dei Diamanti
A) They were smoothed over B) They were gilded C) They were sharpened D) They were removed entirely
A) Circles and squares B) Pyramids and ridges C) Flat and concave D) Ashlar and bossage
A) Andalucia B) Sicily C) Central Europe D) Moscow
A) Isabelline Gothic B) Baroque C) Classical D) Mudéjar
A) Western Scotland B) Northern Portugal C) Northern Russia D) Sicily and southern Italy
A) 1660s B) 1490s C) 1500s D) 1580s
A) Mudéjar styles B) Egyptian pyramid styles C) Byzantine mosaic styles D) Classical Roman styles
A) Vermiculated B) Prismatic C) Cyclopian D) Smooth-faced
A) Vertical joints B) Diagonal joints C) Horizontal joints D) Mitered joints
A) The Latin word for little worm B) The Greek word for rough stone C) A Roman architectural term for mud D) The name of a famous mason
A) The shapes join up to form a network B) The stones are polished until they shine C) The patterns are carved in straight lines D) The blocks are arranged in a circular formation
A) Around the roofline B) On the interior columns C) On the lowest levels D) Only on the upper floors
A) Jagged mountain peaks B) Icicles or hanging pond-weed C) Worm tracks in mud D) The texture of animal fur
A) Blocks are embedded with small gemstones B) Blocks are left completely raw and un-cut C) Blocks are painted in vibrant colors D) Blocks are dressed at an angle near each edge
A) Palladio B) Serlio C) Vitruvius D) James Gibbs
A) The weight of the individual blocks B) The texture of the stone face C) The cutting in at the joints D) The type of stone used
A) Bands that are left un-smoothed B) Bands that dip diagonally around arches C) Bands that run strictly horizontally D) Bands that form a circular pattern
A) The use of metal tools to inlay patterns B) The process of stacking rocks without mortar C) Indented patterns on the central area of stones D) A technique for polishing the edges
A) The Turner Mausoleum B) The Foreign Office building C) The Parliament House D) The Palace of Versailles
A) The stones were carved over several centuries B) The stones were sourced from different quarries C) Weathering affected some stones more than others D) Different carvers interpreted patterns differently
A) Quoin B) Voussoir C) Ashlar D) Cornice
A) Stucco B) Concrete C) Terracotta D) Marble
A) Neoclassical B) Brutalist C) Mannerist D) Gothic
A) It is significantly more uneven and rugged B) It is highly regular with flat faces C) It uses much larger and heavier stones D) It is exclusively applied to interior walls
A) Richardsonian Romanesque B) Federal Style C) Art Deco D) International Style
A) Military power B) Religious modesty requirements C) Structural incompatibility with stained glass D) High construction costs
A) Pilasters B) Voussoirs C) Quoins D) Aedicules
A) Voussoirs B) Ashlar C) Mullions D) Quoins
A) Polished limestone B) Wood C) Granite D) Cast iron
A) 16th century B) 19th century C) 18th century D) 17th century
A) Modernist architecture B) Baroque architecture C) Gothic architecture D) Palladian architecture
A) Monticello B) Mount Vernon C) Shirley Plantation D) Gunston Hall
A) Sgraffito B) Gilding C) Fresco D) Mosaic
A) France B) Germany C) Italy D) Czech Republic
A) Fallingwater B) Monticello C) The Alamo D) The White House |