A) Gestalt therapy is the foundation of Gestalt psychology. B) They are only peripherally linked. C) Gestalt psychology is a sub-branch of Gestalt therapy. D) They are identical fields of study.
A) Kurt Goldstein and Mary Henle B) Fritz and Laura Perls C) Max Wertheimer and Kurt Koffka D) Wolfgang Köhler and Fritz Perls
A) Max Wertheimer B) Wolfgang Köhler C) Kurt Goldstein D) Kurt Koffka
A) She was a traditional lab researcher. B) She was a physicist. C) She was solely a neurologist. D) She was a Gestalt psychologist and a psychoanalyst.
A) It was legally trademarked by another institution. B) She wanted to emphasize its existential roots. C) She disliked the name for aesthetic reasons. D) She thought Gestalt psychologists would object to it.
A) She thought it was identical to the principles of Koffka. B) She praised it as a perfect evolution of the field. C) She considered it the only valid application of the theory. D) She believed it had no substantive relation to scientific Gestalt psychology.
A) Gestalt theoretical psychotherapy B) Existential therapy C) Gestalt therapy D) Psychoanalytic therapy
A) To divide the object of study into separately analyzable elements. B) To study consciousness as a complete, indivisible whole. C) To ignore cerebral activity. D) To focus exclusively on natural situations.
A) Conscious experience must be considered globally. B) Experimental lab conditions are superior to natural ones. C) Cerebral activity is unrelated to consciousness. D) The mind is composed of separate, static parts.
A) Its nature depends on the whole in which it is embedded. B) As a sensory quality unrelated to the system. C) As an independent element with its own properties. D) As the sum of its chemical components.
A) The whole is irrelevant to the parts. B) The whole is less than the sum of its parts. C) The whole is something else than the sum of its parts. D) The whole is exactly equal to the sum of its parts.
A) That movement is an illusion. B) That psychology should not be a science. C) The independence of the mind from physical matter. D) A correlation between conscious experience and cerebral activity.
A) Focusing solely on sensory qualities. B) Rejecting laboratory experiments entirely. C) Reducing complexity through division. D) Taking phenomena as the starting point for research.
A) The removal of the subject from real conditions. B) The need to conduct experiments in natural situations. C) The focus on theoretical rather than practical research. D) The need for highly controlled, sterile laboratory conditions.
A) The effectiveness of psychoanalysis B) Biological evolution C) The existence of the soul D) Perceptual constancy
A) A critique of existentialism. B) An experiment about psychophysical isomorphism. C) A discovery regarding the perception of movement. D) A theory about memory formation.
A) Mind B) Whole C) Form D) Structure
A) Pure phenomenal motion B) The mechanical rotation of bars C) Physical motion of objects D) The movement of light in a vacuum
A) Wolfgang Köhler B) Christian von Ehrenfels C) Kurt Koffka D) Max Wertheimer
A) Structuralism B) Behaviorism C) Functionalism D) Psychoanalysis
A) Configurationism B) Associationism C) Sensationalism D) Atomism
A) Animals learn through incremental reinforcement B) Animals only learn via association C) Animals are incapable of complex problem solving D) Animals learn by sudden insight
A) Significance, value, or meaning B) Experimental observation C) Sensory impression D) Structure or form
A) Abstraction B) Emergence C) Isolation D) Deduction
A) Reification B) Multistability C) Emergence D) Invariance
A) Multistability B) Reification C) Emergence D) Prägnanz
A) Reification B) Prägnanz C) Invariance D) Multistability
A) Pithiness B) Ambiguity C) Perception D) Complexity
A) Elastic deformation B) Necker cube C) Illusory contours D) Symmetry
A) Physical contours B) Geometric contours C) Illusory contours D) Invisible contours
A) Simplicity B) Randomness C) Chaos D) Complexity
A) Wertheimer B) Rubin C) Escher D) Marr
A) Lack of visual stimulus B) Total darkness C) Elastic deformations D) Increased brightness
A) Escher B) Wertheimer C) Rubin D) David Marr
A) Fragmentation B) Complexity C) Orderliness D) Distortion
A) 72 B) 18 C) 36 D) 12
A) Mathematical modeling B) Architectural drafting C) Advertising logos D) Sound engineering
A) 18 B) 6 C) 72 D) 36
A) A large circle B) Two diagonal lines C) Three vertical columns D) Six horizontal lines
A) IBM B) Google C) Microsoft D) Apple
A) A series of dots B) Curved geometric shapes C) Vertical red lines D) Horizontal blue lines |