A) 1616 B) 1588 C) 1609 D) 1599
A) 160 B) 150 C) 126 D) 154
A) Spenserian B) Petrarchan C) Horatian D) English or Shakespearean
A) ABAB CDCD EFEF GG B) ABBA ABBA CDE CDE C) AABB CCDD EEFF GG D) ABC ABC DEF DEF GG
A) Anapestic trimeter B) Iambic pentameter C) Dactylic hexameter D) Trochaic tetrameter
A) The conventions of ideal beauty in courtly sonnets B) The theme of unrequited love C) The use of iambic pentameter D) The structure of traditional sonnets
A) Chaucer B) Milton C) Petrarch D) Spenser
A) She lacks beauty compared to other women B) She is not worth any praise C) She is more worthy of love than those praised with false comparisons D) She is as beautiful as nature itself
A) Michael Drayton B) Thomas Watson C) Richard Linche D) Barnabe Barnes
A) Initial reversal B) Mid-line reversal C) Spondaic substitution D) Pyrrhic substitution
A) It follows conventional sonnet themes B) It is purely derisive and mocks the mistress C) It acts as a compliment by acknowledging true qualities D) It is an example of idealized beauty
A) By ignoring any comparison altogether B) By highlighting her inadequacy in such comparisons C) By using exaggerated metaphors D) By equating her beauty with that of nature
A) Thomas Watson's 'Passionate Century of Love' only B) Michael Drayton's poems C) Barnabe Barnes' sonnets D) Richard Linche's poem collection 'Diella'
A) Misrepresentations of beauty by other poets B) A comparison between heaven and earth C) An accurate depiction of his mistress D) The speaker's own exaggerated comparisons
A) It introduces new metaphors for beauty B) It praises the mistress using Petrarchan imagery C) It concludes with a negative view of the mistress D) It asserts genuine love despite lack of idealized comparisons
A) It introduces a new rhyme scheme B) It breaks from traditional sonnet form C) It emphasizes the divine nature of love D) It maintains the iambic pentameter structure |