A) Applying the base coat of paint B) Choosing the background color C) Mixing the colors D) Sketching the basic shapes and proportions
A) Fan brush B) Stiff, flat brush C) Angular brush D) Soft, round brush
A) Paying attention to light and shadows B) Measuring the subject's height C) Memorizing the subject's clothing D) Thinking about the subject's personality
A) To establish values and composition B) To add details C) To seal the canvas D) To create texture
A) A type of varnish B) A thin, transparent layer of paint C) A thick, opaque layer of paint D) A primer for the canvas
A) Cool B) Warm C) Neutral D) Bright
A) Painting in a highly detailed style B) Painting with only primary colors C) Painting wet-on-wet in one session D) Painting from a photograph
A) To match the size of the painting to the subject's perceived size B) To paint in miniature C) To use a magnifying glass while painting D) To paint only what you can see in one glance
A) Linseed oil B) Gesso C) Water D) Acrylic medium
A) Choosing the canvas size B) Determining the lighting C) Composition and placement of features D) Mixing colors
A) Not using enough colors B) Mixing the colors too thoroughly C) Using too much pure color directly from the tube D) Using too many colors
A) To save money on paint B) To create a more realistic painting C) To create color harmony D) To speed up the painting process
A) A type of canvas B) A color mixing technique C) A type of brushstroke D) The use of strong contrasts between light and dark
A) Fluorescent lighting B) Harsh, direct lighting C) Soft, diffused lighting D) Backlighting
A) To help with composition and framing B) To hold your brushes C) To protect your eyes from the light D) To magnify the subject
A) The lightness or darkness of a color B) The brand of paint C) The intensity of a color D) The hue of a color
A) Accurate proportions B) Detailed background C) Bright colors D) Smooth blending
A) Each subsequent layer should be thinner than the previous one B) Use more expensive paint in the top layers C) Paint the fat parts of the subject first D) Each subsequent layer should have more oil than the previous one
A) Painting portraits from life B) Painting landscapes C) Painting abstract art D) Painting portraits from your imagination
A) Wood B) Paper C) Linen or cotton canvas D) Glass
A) To steady your hand while painting details B) To clean your brushes C) To mix paint D) To hold your palette
A) A base of red, yellow, and blue B) A single pre-mixed skin tone color C) Just white and black D) Only brown
A) The ears B) The mouth C) The nose D) The eyes
A) It helps to establish values quickly B) It makes the colors brighter C) It protects the canvas from moisture D) It prevents the paint from cracking
A) To protect the paint and unify the surface B) To make the colors brighter C) To add texture to the painting D) To allow you to make changes to the painting later
A) Paint each strand individually B) Paint the overall shapes and values, not individual strands C) Use a very fine brush D) Use a lot of highlights
A) Foreground B) Midground C) Focal point D) Background
A) To see the colors more clearly B) To focus on the details C) To simplify the values and shapes D) To protect your eyes from the light
A) Use sandpaper to remove the paint B) Use a solvent to dissolve the paint C) Start over on a new canvas D) Wipe away the wet paint or paint over it when dry
A) Red B) Green C) Purple D) Blue |