A) Mixing the colors B) Choosing the background color C) Sketching the basic shapes and proportions D) Applying the base coat of paint
A) Angular brush B) Soft, round brush C) Fan brush D) Stiff, flat brush
A) Memorizing the subject's clothing B) Measuring the subject's height C) Thinking about the subject's personality D) Paying attention to light and shadows
A) To add details B) To establish values and composition C) To create texture D) To seal the canvas
A) A thick, opaque layer of paint B) A thin, transparent layer of paint C) A primer for the canvas D) A type of varnish
A) Bright B) Cool C) Neutral D) Warm
A) Painting in a highly detailed style B) Painting wet-on-wet in one session C) Painting from a photograph D) Painting with only primary colors
A) To paint in miniature B) To match the size of the painting to the subject's perceived size C) To use a magnifying glass while painting D) To paint only what you can see in one glance
A) Gesso B) Linseed oil C) Water D) Acrylic medium
A) Choosing the canvas size B) Composition and placement of features C) Determining the lighting D) Mixing colors
A) Not using enough colors B) Using too many colors C) Mixing the colors too thoroughly D) Using too much pure color directly from the tube
A) To create a more realistic painting B) To create color harmony C) To speed up the painting process D) To save money on paint
A) A type of brushstroke B) A type of canvas C) A color mixing technique D) The use of strong contrasts between light and dark
A) Backlighting B) Harsh, direct lighting C) Fluorescent lighting D) Soft, diffused lighting
A) To magnify the subject B) To help with composition and framing C) To protect your eyes from the light D) To hold your brushes
A) The lightness or darkness of a color B) The intensity of a color C) The brand of paint D) The hue of a color
A) Bright colors B) Accurate proportions C) Detailed background D) Smooth blending
A) Each subsequent layer should be thinner than the previous one B) Use more expensive paint in the top layers C) Paint the fat parts of the subject first D) Each subsequent layer should have more oil than the previous one
A) Painting portraits from your imagination B) Painting abstract art C) Painting landscapes D) Painting portraits from life
A) Linen or cotton canvas B) Glass C) Wood D) Paper
A) To steady your hand while painting details B) To clean your brushes C) To hold your palette D) To mix paint
A) A single pre-mixed skin tone color B) Just white and black C) A base of red, yellow, and blue D) Only brown
A) The eyes B) The ears C) The nose D) The mouth
A) It helps to establish values quickly B) It makes the colors brighter C) It protects the canvas from moisture D) It prevents the paint from cracking
A) To add texture to the painting B) To protect the paint and unify the surface C) To make the colors brighter D) To allow you to make changes to the painting later
A) Paint the overall shapes and values, not individual strands B) Paint each strand individually C) Use a very fine brush D) Use a lot of highlights
A) Background B) Foreground C) Focal point D) Midground
A) To protect your eyes from the light B) To focus on the details C) To simplify the values and shapes D) To see the colors more clearly
A) Use sandpaper to remove the paint B) Wipe away the wet paint or paint over it when dry C) Use a solvent to dissolve the paint D) Start over on a new canvas
A) Green B) Blue C) Red D) Purple |