A) Raphael B) Michelangelo C) Titian D) Leonardo da Vinci
A) Rising from the sea B) Goddess of love C) Born of foam D) Golden haired
A) 1480 B) 1450 C) 1600 D) 1520
A) Covering her breasts B) Holding a mirror C) Wringing water from her hair D) Reaching for a shell
A) Louvre Museum B) Prado Museum C) Uffizi Gallery D) National Gallery of Scotland
A) Classical architecture B) Ocean with dolphins C) Landscape with trees and sky D) Other mythological figures
A) Hard, linear definition B) Pale, chalky appearance C) Soft, luminous modeling D) Dark, shadowy forms
A) Tiziano Bellini B) Tiziano da Vinci C) Tiziano Vecellio D) Tiziano Raphael
A) Rome B) Milan C) Venice D) Florence
A) Aphrodite of Knidos B) Discobolus C) Venus de Milo D) Laocoön
A) Giorgione B) Botticelli C) Perugino D) Donatello
A) Pointillism B) Color blocking C) Hard edges D) Soft blending (sfumato)
A) Private aristocratic collector B) Church commission C) Guild hall D) Public government building
A) Emphasis on color and light B) Use of geometric perspective C) Biblical subject matter D) Focus on linear drawing
A) Pietà B) Bacchus and Ariadne C) Venus of Urbino D) Assumption of the Virgin
A) Political commentary B) Celebration of human beauty C) Scientific accuracy D) Religious devotion
A) Cool blue tones B) Warm golden tones C) Dark dramatic colors D) Pastel shades
A) Mannerism B) Venetian Renaissance C) Baroque D) Florentine Renaissance
A) Fresco painting B) Loose brushwork C) Gold leaf application D) Pointillism |