A) Leonardo da Vinci B) Titian C) Michelangelo D) Raphael
A) Golden haired B) Goddess of love C) Born of foam D) Rising from the sea
A) 1480 B) 1450 C) 1600 D) 1520
A) Reaching for a shell B) Wringing water from her hair C) Holding a mirror D) Covering her breasts
A) Uffizi Gallery B) Louvre Museum C) Prado Museum D) National Gallery of Scotland
A) Classical architecture B) Landscape with trees and sky C) Other mythological figures D) Ocean with dolphins
A) Pale, chalky appearance B) Dark, shadowy forms C) Soft, luminous modeling D) Hard, linear definition
A) Tiziano Raphael B) Tiziano Vecellio C) Tiziano Bellini D) Tiziano da Vinci
A) Florence B) Venice C) Milan D) Rome
A) Aphrodite of Knidos B) Venus de Milo C) Laocoön D) Discobolus
A) Giorgione B) Botticelli C) Perugino D) Donatello
A) Soft blending (sfumato) B) Hard edges C) Pointillism D) Color blocking
A) Public government building B) Private aristocratic collector C) Guild hall D) Church commission
A) Focus on linear drawing B) Emphasis on color and light C) Use of geometric perspective D) Biblical subject matter
A) Assumption of the Virgin B) Venus of Urbino C) Bacchus and Ariadne D) Pietà
A) Scientific accuracy B) Celebration of human beauty C) Religious devotion D) Political commentary
A) Dark dramatic colors B) Warm golden tones C) Pastel shades D) Cool blue tones
A) Baroque B) Venetian Renaissance C) Florentine Renaissance D) Mannerism
A) Gold leaf application B) Fresco painting C) Pointillism D) Loose brushwork |