A) To be a character study. B) To be a finished literary work in itself. C) To provide a blueprint for filming a movie. D) To outline the plot of a novel.
A) Scene Heading B) Dialogue Tag C) Action Line D) Character Cue
A) Int. Coffee Shop. Day. B) INT. COFFEE SHOP - DAY C) Coffee Shop. Inside. Day. D) INT/EXT. Coffee Shop - Day
A) Visual Overlay B) Video Only C) Voice Over D) Verbal Observation
A) A minor plot point. B) The climax of the film. C) The resolution of the conflict. D) The event that sets the plot in motion.
A) A brief summary of the story. B) A list of characters. C) A camera angle instruction. D) A detailed script analysis.
A) A pause or moment of silence. B) A musical cue. C) A type of scene transition. D) A unit of dialogue length.
A) The final scene of the film. B) A character's emotional breakdown. C) Background information about the story. D) A complex action sequence.
A) Creating a peaceful atmosphere. B) Making characters static. C) Boring the audience. D) Driving the plot forward.
A) A flashback to a character's past. B) A series of short scenes depicting a process or passage of time. C) A single, extended action sequence. D) A dream sequence.
A) Arial 11pt B) Times New Roman 12pt C) Courier 12pt D) Helvetica 14pt
A) To have flat and uninteresting characters. B) To confuse the audience. C) To make characters predictable. D) To make characters believable and relatable.
A) A character's catchphrase. B) A specific type of music used in the film. C) The color scheme of the film. D) The underlying message or idea of the story.
A) To eliminate all creativity. B) To structure the story and plan the scenes. C) To avoid writing any dialogue. D) To ensure the script is exactly like another film.
A) Out of Sight B) Off Screen C) On Stage D) Original Sound
A) Character actions B) Dialogue C) Camera angles (unless crucial) D) Scene descriptions
A) A detailed summary of the screenplay. B) A short promotional clip for the film. C) A legal document granting rights to the screenplay. D) A revised draft of the screenplay.
A) The speed at which the story unfolds. B) The rhythm of the dialogue. C) The location of the film set. D) The director's personal style.
A) A type of camera shot. B) Referring back to an earlier event or line. C) A phone call from the director. D) When an actor forgets their lines.
A) To complicate the plot further. B) To introduce new characters. C) To leave the audience confused. D) To resolve the central conflict.
A) An object or goal that drives the plot but is ultimately unimportant. B) A type of special effect. C) A scene that is cut from the final film. D) The main character's name.
A) A physical fight between characters. B) A disagreement over payment. C) A conflict between two studios. D) A struggle within a character's mind.
A) The villain. B) A minor character. C) The director of photography. D) The main character.
A) Executive Creative Unit B) Extreme Close Up C) End Credits Up D) Exterior Cutaway Unit
A) The length of the screenplay. B) The moral of the story. C) The perspective from which the story is told. D) The setting of the story.
A) A flashback sequence. B) A misleading clue or distraction. C) A minor character who has a red wig. D) A type of special effect involving smoke.
A) To improve the script. B) To make the script worse. C) To make the script longer. D) To simply retype the script.
A) The protagonist's best friend. B) A neutral character. C) The writer of the screenplay. D) The character who opposes the protagonist.
A) A method of improvising dialogue. B) A type of camera lens. C) The arrangement of elements within a scene. D) A screenplay formatting software.
A) Composing visually appealing shots. B) Outlining a screenplay. C) Casting actors. D) Writing dialogue. |