A) To provide a blueprint for filming a movie. B) To outline the plot of a novel. C) To be a character study. D) To be a finished literary work in itself.
A) Scene Heading B) Dialogue Tag C) Character Cue D) Action Line
A) INT. COFFEE SHOP - DAY B) Int. Coffee Shop. Day. C) INT/EXT. Coffee Shop - Day D) Coffee Shop. Inside. Day.
A) Voice Over B) Video Only C) Visual Overlay D) Verbal Observation
A) The event that sets the plot in motion. B) A minor plot point. C) The resolution of the conflict. D) The climax of the film.
A) A detailed script analysis. B) A camera angle instruction. C) A list of characters. D) A brief summary of the story.
A) A unit of dialogue length. B) A type of scene transition. C) A pause or moment of silence. D) A musical cue.
A) Background information about the story. B) The final scene of the film. C) A complex action sequence. D) A character's emotional breakdown.
A) Making characters static. B) Driving the plot forward. C) Boring the audience. D) Creating a peaceful atmosphere.
A) A series of short scenes depicting a process or passage of time. B) A dream sequence. C) A single, extended action sequence. D) A flashback to a character's past.
A) Helvetica 14pt B) Arial 11pt C) Times New Roman 12pt D) Courier 12pt
A) To confuse the audience. B) To make characters predictable. C) To make characters believable and relatable. D) To have flat and uninteresting characters.
A) The underlying message or idea of the story. B) A specific type of music used in the film. C) The color scheme of the film. D) A character's catchphrase.
A) To avoid writing any dialogue. B) To eliminate all creativity. C) To ensure the script is exactly like another film. D) To structure the story and plan the scenes.
A) Out of Sight B) Off Screen C) Original Sound D) On Stage
A) Character actions B) Camera angles (unless crucial) C) Scene descriptions D) Dialogue
A) A legal document granting rights to the screenplay. B) A short promotional clip for the film. C) A revised draft of the screenplay. D) A detailed summary of the screenplay.
A) The director's personal style. B) The location of the film set. C) The rhythm of the dialogue. D) The speed at which the story unfolds.
A) A type of camera shot. B) A phone call from the director. C) When an actor forgets their lines. D) Referring back to an earlier event or line.
A) To leave the audience confused. B) To resolve the central conflict. C) To complicate the plot further. D) To introduce new characters.
A) A type of special effect. B) The main character's name. C) A scene that is cut from the final film. D) An object or goal that drives the plot but is ultimately unimportant.
A) A physical fight between characters. B) A disagreement over payment. C) A conflict between two studios. D) A struggle within a character's mind.
A) The main character. B) The villain. C) A minor character. D) The director of photography.
A) Exterior Cutaway Unit B) Extreme Close Up C) Executive Creative Unit D) End Credits Up
A) The length of the screenplay. B) The moral of the story. C) The perspective from which the story is told. D) The setting of the story.
A) A flashback sequence. B) A minor character who has a red wig. C) A misleading clue or distraction. D) A type of special effect involving smoke.
A) To make the script worse. B) To make the script longer. C) To simply retype the script. D) To improve the script.
A) A neutral character. B) The protagonist's best friend. C) The writer of the screenplay. D) The character who opposes the protagonist.
A) The arrangement of elements within a scene. B) A screenplay formatting software. C) A type of camera lens. D) A method of improvising dialogue.
A) Composing visually appealing shots. B) Casting actors. C) Writing dialogue. D) Outlining a screenplay. |