A) Laurence Olivier B) John Houseman C) William Wyler D) Joseph L. Mankiewicz
A) Louis Calhern B) James Mason C) John Gielgud D) Marlon Brando
A) Joseph L. Mankiewicz B) John Houseman C) Laurence Olivier D) Dore Schary
A) Best Cinematography, Black-and-White B) Best Actor C) Best Art Direction – Black-and-White D) Best Picture
A) Marlon Brando B) Edmond O'Brien C) Greer Garson D) Deborah Kerr
A) John Gielgud B) Marlon Brando C) James Mason D) Louis Calhern
A) To relate to newsreels and fascist movements in Europe, and avoid comparison with 'Quo Vadis' B) Due to budget constraints C) To match the original play's tone D) Because they preferred classic films
A) Stratford-upon-Avon B) The Old Vic Theatre C) Abbey Theatre D) Booth Theatre
A) The Legend B) The Star C) The Mumbler D) The Actor
A) Locarno International Film Festival B) Berlin International Film Festival C) Cannes Film Festival D) Venice Film Festival
A) He had done a lot of Shakespeare in America and wanted to make it an American production B) He didn't like working with British actors C) He believed only Americans could play the roles D) He preferred British actors
A) P. M. Pasinetti B) Laurence Olivier C) Orson Welles D) John Gielgud
A) Louis Calhern B) Edmond O'Brien C) James Mason D) John Gielgud
A) It was a financial failure B) It broke even C) It was still shown a lot and likely made more money than any other picture he made D) It lost money
A) Warner Bros. B) Metro-Goldwyn-Mayer (MGM) C) Universal Pictures D) 20th Century Fox
A) John Gielgud B) Marlon Brando C) Louis Calhern D) James Mason
A) Due to lack of color film stock B) To avoid inviting comparison with 'Quo Vadis' C) To save on production costs D) Because it was a stylistic choice |