A) Ethnomusicology B) Organology C) Sociology D) Harmonics
A) Brass B) Percussion C) Woodwind D) String
A) Woodwind B) Brass C) Percussion D) String
A) Brass B) Percussion C) Keyboard D) Woodwind
A) Harmonica B) Trumpet C) Flute D) Piano
A) Guitar B) Violin C) Trombone D) Harmonica
A) Trombone B) Clarinet C) French horn D) Trumpet
A) Tuning fork B) Triangle C) Banjo D) Maracas
A) It comes from Ancient Greek words meaning 'instrument' and 'the study of'. B) It was coined in the 19th century by Curt Sachs. C) The term was derived from early English musicology. D) It originates from Latin terms related to musical theory.
A) Documents were exclusively from the Middle East. B) No ancient cultures documented their musical instruments. C) A number of ancient cultures left such documents. D) Only Greek and Roman cultures provided detailed documents.
A) Michael Praetorius B) Curt Sachs C) Martin Agricola D) Sebastian Virdung
A) It is a major source of knowledge about Renaissance musical instruments. B) It was the first to classify African instruments in Europe. C) It focused on modern Western instruments. D) It introduced the Hornbostel-Sachs classification system.
A) They returned with instruments from different cultures, expanding collections. B) They invented new classification systems for instruments. C) They focused solely on European instrument development. D) They wrote extensive treatises on musical theory.
A) 1975 B) 1985 C) 2000 D) 1990
A) The complexity due to socially influenced or structured ideas or belief systems. B) The irrelevance of cultural perspectives. C) The simplicity and universality of classification. D) The accuracy of European classifications.
A) Mykola Lysenko B) Leon Theremin C) Igor Matsiyevsky D) Bob Moog
A) Victor-Charles Mahillon B) Harry Partch C) Bart Hopkin D) Erich von Hornbostel
A) Five categories based on state-of-matter. B) Three main types of sound production. C) Four chronological periods: early instruments, antiquity, the middle ages, and the modern occident. D) Two categories: traditional and modern.
A) New York B) Oxford C) London D) Melbourne
A) Hnat Khotkevych B) Volodymyr Kushpet C) Adolf Chybinski D) Filaret Kolessa
A) Harry Partch B) Leo Fender C) Erich von Hornbostel D) Ivor Darreg
A) Curt Sachs B) Harry Partch C) Victor-Charles Mahillon D) Bob Moog
A) Sebastian Virdung and Martin Agricola B) Curt Sachs and Erich von Hornbostel C) Michael Praetorius and Sebastian Virdung D) Andre Schaeffner and Curt Sachs
A) Aerophones B) Electrophones C) Percussion D) Chordophones
A) On the size and shape of instruments. B) On the cultural origin of instruments. C) On historical periods and regions. D) On the state-of-matter of the sound-producing mechanism.
A) Curt Sachs B) Andre Schaeffner C) Ivor Darreg D) Leo Fender
A) The Galpin Society B) None of the above C) The Gesellschaft der Freunde alter Musikinstrumente D) The American Musical Instrument Society
A) Anthony Baines B) Victor-Charles Mahillon C) William Waterhouse D) Curt Sachs
A) Filaret Kolessa B) Klyment Kvitka C) Adolf Chybinski D) Volodymyr Kushpet
A) Early instruments, antiquity, middle ages, modern occident. B) Strings, percussion, woodwind, and brass. C) Idiophones, membranophones, chordophones, and aerophones. D) Solid, liquid, gas, and electrophones.
A) Hnat Khotkevych B) Igor Matsiyevsky C) Adolf Chybinski D) Volodymyr Kushpet
A) Klyment Kvitka B) Volodymyr Kushpet C) Filaret Kolessa D) Mykola Lysenko
A) Harry Partch B) Igor Matsiyevsky C) William Waterhouse D) Bart Hopkin
A) Leo Fender B) Erich von Hornbostel C) Ivor Darreg D) Bart Hopkin |