A) 1818 B) 1820 C) 1819 D) 1817
A) Four B) Seven C) Six D) Five
A) An interest in changing the melody B) A natural command of the language of music C) A lack of focus on the original score D) A desire to improve the composition
A) Harmony and key signature B) Rhythm and lyrics C) Instrumentation and vocal range D) Tempo indication and the prelude-postlude
A) Mässig B) Andante C) Nicht zu geschwind D) Allegro
A) Library of Congress B) Vienna National Archives C) Stadler, Ebner and Schindler collection in Lund D) The Schubert Institute
A) Franz Sales Kandler B) Anselm Hüttenbrenner C) Josef Hüttenbrenner D) Sylvester Baumgartner
A) Mässig B) Moderato C) Nicht zu geschwind D) Presto
A) Coffee B) Austrian beer C) Schnapps D) Hungarian wine
A) He was sleepy and clumsy B) It was a stylistic choice C) He wanted to destroy the work D) He was angry at Josef
A) It is in the Library of Congress B) It was lost C) It is in the Stadler collection D) It was destroyed by the Hüttenbrenners
A) 1820 B) 1818 C) 1821 D) 1819
A) The Vienna State Library B) Gertrude Clarke Whittall Foundation Collection C) The Lund collection D) The Hüttenbrenner family archive
A) Anselm Hüttenbrenner B) Franz Liszt C) Sylvester Baumgartner D) Franz Sales Kandler
A) First movement B) Fourth movement C) Third movement D) Second movement
A) Four B) Two C) One D) Three
A) Its lack of contemporary appeal B) Its complex musical structure C) Its failure in Vienna D) Its meteoric rise on the charts
A) Background music in films B) A popular ringtone C) Ending tune of Samsung washing machines D) An alarm clock tone
A) The brevity of the piece B) Vivid imagery and exuberance of melody C) The famous composers who transcribed it D) The complexity of the piano part
A) 1816 B) 1817 C) 1820 D) 1815
A) D 454 B) D 518 C) D 550 D) D 229
A) Schubart B) Ludwig Gotthard Kosegarten C) Johann Leopold Ebner D) John Reed
A) Beethoven B) Schubert C) Kosegarten D) Schubart
A) D 518 B) D 550 C) D 229 D) D 454
A) Grablied auf einen Soldaten B) An die Musik C) Die Erscheinung D) An den Tod
A) Die Erscheinung B) An mein Klavier C) Der Tod und das Mädchen D) Coriolan Overture
A) Schubart B) Beethoven C) Kosegarten D) Schubert
A) July 1815 B) 9 December 1817 C) 9 December 1820 D) Early 1817
A) Free publicity B) Monetary payment C) Critical acclaim D) A manuscript copy
A) The Warning B) The River C) The Fisherman D) The Trout
A) Schwäbischer Musenalmanach B) Schubert's Almanach C) Die Forelle Journal D) The Musical Times
A) A minor B) D major C) C major D) D-flat major
A) Through-composed form B) Binary form C) Sonata form D) Varied strophic form
A) Vienna B) Hohenasperg fortress C) A monastery D) A private residence
A) Two B) Three C) Five D) Four
A) Fishing in forbidden waters B) Marrying fishermen C) Young men with rods D) Losing their innocence
A) Franz Schubert B) John Reed C) Thomas Kramer D) Marjorie Wing Hirsch
A) Vivace B) Andante con moto C) Allegro moderato D) Etwas lebhaft
A) The final verse B) The second verse C) The first verse D) The third verse
A) Streichquartett B) Gesamtkunstwerk C) Durchführung D) Abgesang
A) By removing the stanza B) By adding a piano coda C) By changing the melody D) By rewriting the lyrics
A) Religious fervor B) Deep melancholy C) Military precision D) Folklike naïveté
A) They double in length B) They transition into a solo cadenza C) They fade into a pianissimo D) They are broken by startled rests |