A) Agenda-setting theory B) Spiral of silence theory C) Two-step flow theory D) Social learning theory
A) To maintain privacy B) To reach a large audience C) To create tailored messages D) To persuade individuals
A) Television B) Social media C) Newspapers D) Radio
A) Emails B) Phone calls C) Text messages D) Body language
A) Third-person effect B) Filter bubble C) Cognitive dissonance D) Confirmation bias
A) Social presence theory B) Uses and gratifications theory C) Cultivation theory D) Selective exposure theory
A) Transactional model B) Magic bullet theory C) Shannon-Weaver model D) Hypodermic needle model
A) Feedback B) Broadcasting C) Personal communication D) Selective exposure
A) The number of people receiving the message. B) The technology used for transmission. C) How content and information affects behavior, attitude, opinion, or emotion. D) The speed at which messages are sent.
A) Peter Sloterdijk B) Stuart Hall C) Marshall McLuhan D) Noam Chomsky
A) It serves purely for entertainment purposes. B) It only transmits political information. C) It is a one-way process with no influence on society. D) It acts as an immersive environment influencing societal existence.
A) Television B) Face-to-face conversations C) Radio D) Social networking
A) China B) United States C) India D) Brazil
A) Magic bullet theory B) Computer-mediated communication C) Linear communication model D) Two-step flow theory
A) It is homogeneous. B) It is small and localized. C) It only includes people from urban areas. D) It consists of diverse cultures and belief systems.
A) Independent reviewers B) The audience C) The sponsor D) Media outlets
A) Public journalism. B) Citizen journalism. C) Alternative journalism. D) Social media journalism.
A) 40% B) 80% C) 60% D) 20%
A) TikTok B) Twitter C) Instagram D) LinkedIn
A) They have eliminated traditional forms of communication like face-to-face conversations. B) They are used exclusively for business networking. C) They have drastically changed the way people communicate, especially with younger generations. D) They do not allow interaction through images or videos.
A) Edith Bunker B) Mike Stivic C) Gloria Stivic D) Archie Bunker
A) Film photography B) Digital photography C) Camera obscura D) Daguerreotype
A) George Gerbner B) Marshall McLuhan C) Elisabeth Noelle-Neumann D) Neil Postman
A) Television B) Print media C) Radio D) Online streaming services
A) Establishing public parlors. B) Documenting daily life in France. C) Revolutionizing film style. D) Creating special effects sequences.
A) Neil Postman B) George Gerbner C) Elisabeth Noelle-Neumann D) Marshall McLuhan
A) SoundCloud B) Spotify C) Apple Music D) YouTube Music
A) Thomas Edison. B) Georges Méliès. C) The Lumiere brothers. D) The Parisian audience.
A) Ethnography B) Content Analysis C) Experiment D) Surveying
A) 75% B) 50% C) 200% D) 122%
A) MIT B) Stanford University C) Cornell University D) Harvard University
A) Louis Daguerre B) George Eastman C) Thomas Edison D) Joseph Niepce
A) 1980 B) 1972 C) 1970 D) 1969
A) During a film screening by Georges Méliès. B) By the Lumiere brothers in France. C) In 1893. D) With special effects sequences.
A) Eight track-tapes B) Cassettes C) Compact discs (CDs) D) LP (long play) vinyl record
A) By 1972 B) In 1980 C) In 1969 D) In 1990
A) 30 minutes B) 15 minutes C) 1 hour D) 8 hours
A) Content Analysis B) Experiment C) Ethnography D) Surveying
A) Focusing solely on digital channels B) Ignoring spokesperson roles C) Providing training for the spokesperson D) Avoiding any form of media
A) Surveying B) Ethnography C) Content Analysis D) Experiment
A) Digital cameras B) Instant cameras C) Color film D) Black-and-white film
A) 50 million users B) 300 million users C) Over 140 million users D) 200 million users
A) Radio B) Podcasts C) Streaming platforms D) Recordings
A) Thomas Edison B) Joseph Niepce C) Louis Daguerre D) George Eastman
A) Nikon B) Kodak C) Canon D) Fujifilm
A) Thomas Edison B) Charles Tainter C) The Victor Talking Machine Company D) Alexander Graham Bell
A) MTV Generation B) Millennials C) Generation X D) Baby Boomers
A) 30 billion dollars B) 120 billion dollars C) 50 billion dollars D) Over 90 billion dollars
A) 1999 B) 2005 C) 2012 D) 2020
A) Streaming platforms B) Recorded music C) Podcasts D) Radio |