A) Choosing brushes B) Applying gesso C) Mixing paints D) Sketching the composition
A) Stiff, angular brush B) Soft, round brush C) Fan brush D) Filbert brush
A) Stand oil B) Turpentine C) Damar varnish D) Linseed oil
A) Each layer should be thinner than the previous B) Each layer should have more oil than the previous C) Each layer should dry faster than the previous D) Each layer should be darker than the previous
A) Green B) Red C) Blue D) Yellow
A) Blending two colors together B) Applying paint thickly C) Removing paint with a cloth D) Applying a broken layer of paint
A) Removing paint with a cloth B) Applying paint thinly C) Blending two colors together D) Applying paint thickly
A) To help compose the scene B) To mix paints C) To hold the brushes D) To protect the canvas
A) Objects have sharper edges in the distance B) Objects are more detailed in the distance C) Objects fade into the distance D) Objects appear brighter in the distance
A) Green B) Orange C) Blue D) Violet
A) Mixing and applying paint B) Cleaning brushes C) Stretching canvas D) Thinning paint
A) A layer of gesso B) A thin, transparent layer of paint C) A mixture of paint and varnish D) A thick, opaque layer of paint
A) Acetone B) Bleach C) Water and soap D) Turpentine or mineral spirits
A) To add color to the canvas B) To create texture C) To prepare the surface for painting D) To protect the painting from UV light
A) The color of the shadows on an object B) The actual color of an object C) The color created by mixing two colors D) The color of light reflecting off an object
A) Painting from a photograph B) Painting with a palette knife C) Wet-on-wet painting D) Painting in layers
A) Orange B) Yellow C) Green D) Blue
A) To create color harmony B) To save money on paint C) To speed up the painting process D) To create a more realistic painting
A) Recycled B) Soaked in water and sealed in a metal container C) In the regular trash D) Burned
A) To add texture to the canvas B) To create a more realistic painting C) To alter the properties of the paint D) To protect the painting from UV light
A) A full-color underpainting B) A textured underpainting C) A monochrome underpainting D) A transparent underpainting
A) Umbers B) Blues C) Reds D) Yellows
A) Lower cost B) Greater color intensity C) Faster drying time D) Easier to blend
A) Thins the oil paint B) Speeds up the drying time of oil paint C) Slows down the drying time of oil paint D) Thickens the oil paint
A) The effect of atmosphere on distant objects. B) The technique of painting clouds. C) The perspective of objects seen from above. D) The use of perspective lines to create depth.
A) Applying a thick layer of varnish. B) Using the correct type of brush. C) Ensuring the paint is completely dry. D) Varnishing in direct sunlight.
A) To paint the subject from memory B) To paint the subject at its actual size C) To paint the subject in a very detailed manner D) To paint the subject quickly
A) The saturation of a color. B) The intensity of a color. C) The lightness or darkness of a color. D) The hue of a color.
A) The sky B) The water C) The trees D) The foreground
A) A technique for cleaning brushes. B) A layer of varnish. C) A thick, impasto layer of paint. D) A very thin, diluted layer of paint. |