A) Mixing paints B) Applying gesso C) Sketching the composition D) Choosing brushes
A) Stiff, angular brush B) Fan brush C) Filbert brush D) Soft, round brush
A) Damar varnish B) Linseed oil C) Turpentine D) Stand oil
A) Each layer should be thinner than the previous B) Each layer should dry faster than the previous C) Each layer should have more oil than the previous D) Each layer should be darker than the previous
A) Blue B) Red C) Green D) Yellow
A) Applying a broken layer of paint B) Blending two colors together C) Removing paint with a cloth D) Applying paint thickly
A) Applying paint thinly B) Applying paint thickly C) Removing paint with a cloth D) Blending two colors together
A) To protect the canvas B) To mix paints C) To hold the brushes D) To help compose the scene
A) Objects fade into the distance B) Objects have sharper edges in the distance C) Objects appear brighter in the distance D) Objects are more detailed in the distance
A) Green B) Orange C) Blue D) Violet
A) Mixing and applying paint B) Cleaning brushes C) Stretching canvas D) Thinning paint
A) A thick, opaque layer of paint B) A mixture of paint and varnish C) A thin, transparent layer of paint D) A layer of gesso
A) Turpentine or mineral spirits B) Water and soap C) Acetone D) Bleach
A) To prepare the surface for painting B) To add color to the canvas C) To create texture D) To protect the painting from UV light
A) The actual color of an object B) The color of the shadows on an object C) The color of light reflecting off an object D) The color created by mixing two colors
A) Painting in layers B) Wet-on-wet painting C) Painting with a palette knife D) Painting from a photograph
A) Blue B) Green C) Orange D) Yellow
A) To create a more realistic painting B) To create color harmony C) To speed up the painting process D) To save money on paint
A) In the regular trash B) Recycled C) Burned D) Soaked in water and sealed in a metal container
A) To alter the properties of the paint B) To add texture to the canvas C) To protect the painting from UV light D) To create a more realistic painting
A) A full-color underpainting B) A transparent underpainting C) A monochrome underpainting D) A textured underpainting
A) Yellows B) Umbers C) Reds D) Blues
A) Easier to blend B) Faster drying time C) Greater color intensity D) Lower cost
A) Thins the oil paint B) Slows down the drying time of oil paint C) Thickens the oil paint D) Speeds up the drying time of oil paint
A) The use of perspective lines to create depth. B) The effect of atmosphere on distant objects. C) The technique of painting clouds. D) The perspective of objects seen from above.
A) Varnishing in direct sunlight. B) Applying a thick layer of varnish. C) Ensuring the paint is completely dry. D) Using the correct type of brush.
A) To paint the subject at its actual size B) To paint the subject from memory C) To paint the subject in a very detailed manner D) To paint the subject quickly
A) The lightness or darkness of a color. B) The saturation of a color. C) The hue of a color. D) The intensity of a color.
A) The foreground B) The sky C) The trees D) The water
A) A very thin, diluted layer of paint. B) A technique for cleaning brushes. C) A thick, impasto layer of paint. D) A layer of varnish. |