ENGLIT FINALS
  • 1. In the context of drama, what is the role of improvisation in the classroom when interpreting literature?
A) It should be avoided for its unpredictability.
B) It distracts from the literary elements.
C) It enhances spontaneity and creativity.
D) It is irrelevant to the learning process
  • 2. What is the primary purpose of using drama to interpret literature?
A) Rhyme and Meter
B) Analysis and Exploration
C) Entertainment
D) Historical Documentation
  • 3. Which of the following is a form of dramatic irony in literature?
A) The audience knows more than the characters.
B) The audience is unaware of the events
C) The characters know more than the audience
D) The characters are unaware of the events.
  • 4. These are moveable dolls that create mental and emotional impressions through their body language.
A) Freewriting
B) Puppetry
C) Journal
D) Reader's Theater
  • 5. The following choices are soft skills that can be developed by students except for one.
A) Creativity
B) Collaboration
C) Empathy
D) Skepticism
  • 6. How can reader's theater be applied in a classroom setting?
A) Students can just sit or stand in a semicircle; there is no need for a stage.
B) Students can walk around in a semicircle; there is no need for a stage
C) Students can just sit or stand in a semicircle; there is a need for a stage.
D) Students can walk around in a semicircle; there is a need for a stage.
  • 7. Which three strategies are you intending to employ to draw links between reading literature and drama?
A) text-to-text, text-to-self and text-to-world
B) text-to-real, text-to-self and text-to-world
C) text-to-text, text-to-life and text-to-world
D) text-to-text, text-to-life and text-to-self
  • 8. It is composed in verse or prose that presents a story either in pantomime or dialogue.
A) Visual arts
B) Dialogue
C) Performance
D) Drama
  • 9. How can a teacher adapt the curriculum to accommodate diverse learning styles in the interpretation of literature through drama?
A) By sticking to one teaching method for consistency
B) By incorporating a variety of activities and assessment to address different learning preference
C) By ignoring individual differences for simplicity
D) By avoiding hands-on activities
  • 10. How can a teacher effectively incorporate group activities and discussions to enhance students' understanding of literature through drama?
A) By avoiding discussions altogether
B) By focusing solely on theoretical concepts
C) By assigning individual projects only
D) By encouraging collaboration and group analysis
  • 11. Which element of drama is most essential for conveying the emotions and motivations of literary characters?
A) Stage Directions
B) Theme
C) Dialogue
D) Setting
  • 12. This is used for shy students because speaking through this shifts the audience's attention away from the students.
A) Puppetry
B) Journal
C) Freewriting
D) Reader's Theater
  • 13. How can a teacher effectively assess students' understanding of literature through drama?
A) Relying solely on written exams
B) Incorporating a variety of activities, including reader's theater, , puppetry, dialogue, etc.
C) Assigning only group projects for assessment
D) Avoiding assessments to reduce pressure
  • 14. What is the significance of incorporating role-playing activities in teaching literature through drama?
A) It is time-consuming and impractical
B) It limits students' creativity
C) It allows students to step into the shoes of characters and explore perspectives.
D) It focuses only on memorization of lines.
  • 15. Performing and reading exercises are combined in this strategy
A) Puppetry
B) Journal
C) Reader's Theater
D) Freewriting
  • 16. What is the primary goal of incorporating creative writing in the interpretation of literature?
A) Encouraging imaginative and original expression
B) Expressing personal opinions
C) Analyzing historical context
D) Memorization of facts
  • 17. How can the use of descriptive language and imagery in creative writing enhance the interpretation of literature?
A) By avoiding sensory experiences
B) By providing a detached and objective tone
C) By limiting sensory details
D) By evoking emotions and creating vivid mental images
  • 18. Students use this response to share what they like and dislike about the text.
A) summarizing
B) anticipating predictions or asking questions
C) critiquing
D) elaborating
  • 19. Which creative writing technique involves telling a story from the perspective of an inanimate object or an abstract concept?
A) Stream of consciousness
B) Flashback
C) Personification
D) Dialogue
  • 20. How many minutes can students spend prewriting in order to come up with ideas?
A) 10-12 minutes
B) 5-10 minutes
C) 10-15 minutes
D) 10-20 minutes
  • 21. How does creative writing contribute to a deeper understanding of literary themes and characters?
A) By avoiding emotional engagement
B) By allowing students to explore and empathize with characters
C) By relying solely on academic analysis
D) By focusing only on grammar and syntax
  • 22. How can creative writing activities be adapted to accommodate diverse learning styles in literature interpretation?
A) By avoiding hands-on activities
B) By sticking to one writing style for consistency
C) By incorporating a variety of writing prompts and styles
D) By avoiding hands-on activities
  • 23. Children can write down their ideas about texts using this technique, including any personal questions, feelings, or observations they may have about the books they are reading.
A) Narrative writing
B) Freewriting
C) Reader's digest
D) Journals
  • 24. What is the significance of incorporating multiple points of view in creative writing when interpreting literature?
A) It creates confusion
B) It hinders character development
C) It provides a more comprehensive understanding of the story
D) It limits the narrative's depth
  • 25. When will the pupils be able to write down their thoughts and observations regarding the text they are reading?
A) before and after reading a text
B) before reading a text
C) after reading a text
D) before, after, and during reading a text
  • 26. What role does the setting play in creative writing when interpreting literature?
A) It restricts character development
B) It provides historical context only
C) It influences the atmosphere and mood of the story
D) It is irrelevant to the narrative
  • 27. It restricts character development
A) It allows for the direct expression of characters' thoughts and emotions
B) It distracts from the central themes
C) It limits character development
D) It adds unnecessary length to the writing
  • 28. Children who read stories with fictitious characters who encounter problems or events in a particular setting are also developing their literacy through this type of writing.
A) Journals
B) Freewriting
C) Reader's theater
D) Narrative writing
  • 29. This approach fosters literacy by integrating the creation of words with their written expression on a page
A) Reader's theater
B) Freewriting
C) Journals
D) Narrative writing
  • 30. Of the three types of responses that students write or give about their journals, which one is not included?
A) anticipating predictions or asking questions
B) elaborating
C) summarizing
D) critiquing
  • 31. It lets the students return what they have received from their teachers or from the book.
A) Higher-order thinking skills
B) Lower-order thinking skills
C) Bloom's Taxonomy of Thinking Skills
D) Inquiry-based teaching approach
  • 32. Encourage a pupil to spin a wheel to see what question students will have to answer.
A) The Class Bookworm
B) Question-Prompts Wheel
C) Butcher Paper
D) Collecting Words Wall
  • 33. In what ways does classroom-based active learning take place?
A) Considering proper judgment in reading stories
B) Giving opportunities to lie down and use imaginative thinking
C) Involving abilities like identifying a problem and trying solutions from inductive and deductive logic
D) Ensuring individual goals and self-assessment
  • 34. What is the primary purpose of encouraging students to ask questions while reading literature?
A) To focus solely on comprehension
B) To avoid engagement with the text
C) To memorize facts and details
D) To develop analytical and critical thinking skills
  • 35. How can a teacher use Socratic questioning to promote critical thinking in literature discussions?
A) By imposing a strict question-and-answer format
B) By providing all the answers
C) By avoiding discussions altogether
D) By encouraging open-ended questions and facilitating thoughtful discussions
  • 36. Debriefing or lesson-ending are the ideal uses for this exercise. Debriefing questions, prompts, and incomplete statements are the teacher's responsibility.
A) Expanding Your Network
B) Link-It Cards!
C) Human Likert Scale and Savvy Survey
D) Finding Partner in a Music Mingle
  • 37. The DepEd Order No. 21, s.2019 that this knowledge prioritizes proving, probing, and questioning.
A) Higher-order thinking skills
B) Lower-order thinking skills
C) Inquiry-based teaching approach
D) Bloom's Taxonomy of Thinking Skills
  • 38. When a student comes across unfamiliar vocabulary, they must ascertain its meaning, utilize it in a sentence, and write the exact phrase or sentence that the word appears in the text.
A) The Class Bookworm
B) Butcher Paper
C) Great Opening Lines Wall
D) Collecting Words Wall
  • 39. It's an elimination game with chairs, players, and music. Students who are unable to find a chair will have the opportunity to respond to the question when the music stops.
A) Trip to Jerusalem
B) Question-Prompts Wheel
C) Six Thinking Hats
D) Passing the Bouquet
  • 40. Students can write their opinions about the literary work they read in class on this add-on board. It serves as either a vandal or a freedom wall in relation to the literary work they have read.
A) The Class Bookworm
B) Great Opening Lines Wall
C) Quotable Quotes Board
D) Butcher Paper
  • 41. Assign a pen, toy, or handkerchief to the first person who forms three large circles with all of your students. As soon as the music begins, have your students pass the object until it ends. The person holding the object will respond to the question when it stops.
A) Six Thinking Hats
B) Passing the Bouquet
C) Trip to Jerusalem
D) Question-Prompts Wheel
  • 42. It entails using the knowledge that has been imparted to the students in order to synthesize concepts, evaluate information, or produce something new.
A) Lower-order thinking skills
B) Higher-order thinking skills
C) Bloom's Taxonomy of Thinking Skills
D) Inquiry-based teaching approach
  • 43. What is the significance of challenging students' interpretations of literary texts in the classroom?
A) To promote a singular interpretation
B) To stimulate critical thinking and encourage diverse viewpoints
C) To avoid discussions on interpretation
D) To discourage individual perspectives
  • 44. The DepEd Order No. 21, s.2019 that this knowledge prioritizes proving, probing, and questioning.
A) Lower-order thinking skills
B) Bloom's Taxonomy of Thinking Skills
C) Inquiry-based teaching approach
D) Higher-order thinking skills
  • 45. Many generations of educators in K–12 and higher education have used this framework in their instruction.
A) Bloom's Taxonomy of Thinking Skills
B) Inquiry-based teaching approach
C) Lower-order thinking skills
D) Higher-order thinking skills
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