A) Applying the base coat of paint B) Choosing the background color C) Mixing the colors D) Sketching the basic shapes and proportions
A) Soft, round brush B) Stiff, flat brush C) Angular brush D) Fan brush
A) Measuring the subject's height B) Paying attention to light and shadows C) Thinking about the subject's personality D) Memorizing the subject's clothing
A) To seal the canvas B) To establish values and composition C) To add details D) To create texture
A) A thick, opaque layer of paint B) A thin, transparent layer of paint C) A primer for the canvas D) A type of varnish
A) Warm B) Cool C) Neutral D) Bright
A) Painting in a highly detailed style B) Painting with only primary colors C) Painting wet-on-wet in one session D) Painting from a photograph
A) To match the size of the painting to the subject's perceived size B) To use a magnifying glass while painting C) To paint in miniature D) To paint only what you can see in one glance
A) Gesso B) Water C) Acrylic medium D) Linseed oil
A) Composition and placement of features B) Determining the lighting C) Choosing the canvas size D) Mixing colors
A) Mixing the colors too thoroughly B) Not using enough colors C) Using too much pure color directly from the tube D) Using too many colors
A) To speed up the painting process B) To save money on paint C) To create color harmony D) To create a more realistic painting
A) A type of canvas B) A type of brushstroke C) A color mixing technique D) The use of strong contrasts between light and dark
A) Backlighting B) Soft, diffused lighting C) Fluorescent lighting D) Harsh, direct lighting
A) To help with composition and framing B) To magnify the subject C) To hold your brushes D) To protect your eyes from the light
A) The brand of paint B) The intensity of a color C) The hue of a color D) The lightness or darkness of a color
A) Smooth blending B) Bright colors C) Accurate proportions D) Detailed background
A) Paint the fat parts of the subject first B) Each subsequent layer should be thinner than the previous one C) Use more expensive paint in the top layers D) Each subsequent layer should have more oil than the previous one
A) Painting portraits from your imagination B) Painting abstract art C) Painting landscapes D) Painting portraits from life
A) Linen or cotton canvas B) Wood C) Glass D) Paper
A) To mix paint B) To clean your brushes C) To hold your palette D) To steady your hand while painting details
A) A base of red, yellow, and blue B) Only brown C) A single pre-mixed skin tone color D) Just white and black
A) The eyes B) The nose C) The ears D) The mouth
A) It helps to establish values quickly B) It makes the colors brighter C) It prevents the paint from cracking D) It protects the canvas from moisture
A) To add texture to the painting B) To protect the paint and unify the surface C) To allow you to make changes to the painting later D) To make the colors brighter
A) Use a very fine brush B) Paint the overall shapes and values, not individual strands C) Paint each strand individually D) Use a lot of highlights
A) Background B) Foreground C) Midground D) Focal point
A) To protect your eyes from the light B) To see the colors more clearly C) To focus on the details D) To simplify the values and shapes
A) Use sandpaper to remove the paint B) Wipe away the wet paint or paint over it when dry C) Start over on a new canvas D) Use a solvent to dissolve the paint
A) Red B) Purple C) Blue D) Green |