A) Applying gesso B) Mixing paints C) Choosing brushes D) Sketching the composition
A) Soft, round brush B) Stiff, angular brush C) Fan brush D) Filbert brush
A) Damar varnish B) Turpentine C) Stand oil D) Linseed oil
A) Each layer should be thinner than the previous B) Each layer should dry faster than the previous C) Each layer should be darker than the previous D) Each layer should have more oil than the previous
A) Blue B) Green C) Yellow D) Red
A) Removing paint with a cloth B) Blending two colors together C) Applying a broken layer of paint D) Applying paint thickly
A) Applying paint thinly B) Blending two colors together C) Removing paint with a cloth D) Applying paint thickly
A) To help compose the scene B) To hold the brushes C) To mix paints D) To protect the canvas
A) Objects are more detailed in the distance B) Objects have sharper edges in the distance C) Objects appear brighter in the distance D) Objects fade into the distance
A) Violet B) Green C) Orange D) Blue
A) Stretching canvas B) Thinning paint C) Cleaning brushes D) Mixing and applying paint
A) A thick, opaque layer of paint B) A mixture of paint and varnish C) A layer of gesso D) A thin, transparent layer of paint
A) Acetone B) Water and soap C) Turpentine or mineral spirits D) Bleach
A) To create texture B) To add color to the canvas C) To prepare the surface for painting D) To protect the painting from UV light
A) The actual color of an object B) The color created by mixing two colors C) The color of light reflecting off an object D) The color of the shadows on an object
A) Wet-on-wet painting B) Painting in layers C) Painting from a photograph D) Painting with a palette knife
A) Blue B) Yellow C) Green D) Orange
A) To create color harmony B) To create a more realistic painting C) To save money on paint D) To speed up the painting process
A) Burned B) Soaked in water and sealed in a metal container C) Recycled D) In the regular trash
A) To protect the painting from UV light B) To add texture to the canvas C) To create a more realistic painting D) To alter the properties of the paint
A) A full-color underpainting B) A textured underpainting C) A monochrome underpainting D) A transparent underpainting
A) Blues B) Reds C) Yellows D) Umbers
A) Lower cost B) Easier to blend C) Faster drying time D) Greater color intensity
A) Speeds up the drying time of oil paint B) Thins the oil paint C) Slows down the drying time of oil paint D) Thickens the oil paint
A) The perspective of objects seen from above. B) The use of perspective lines to create depth. C) The technique of painting clouds. D) The effect of atmosphere on distant objects.
A) Varnishing in direct sunlight. B) Ensuring the paint is completely dry. C) Applying a thick layer of varnish. D) Using the correct type of brush.
A) To paint the subject at its actual size B) To paint the subject in a very detailed manner C) To paint the subject quickly D) To paint the subject from memory
A) The saturation of a color. B) The hue of a color. C) The intensity of a color. D) The lightness or darkness of a color.
A) The foreground B) The water C) The trees D) The sky
A) A technique for cleaning brushes. B) A very thin, diluted layer of paint. C) A layer of varnish. D) A thick, impasto layer of paint. |