A) Choosing brushes B) Applying gesso C) Sketching the composition D) Mixing paints
A) Fan brush B) Filbert brush C) Stiff, angular brush D) Soft, round brush
A) Stand oil B) Linseed oil C) Damar varnish D) Turpentine
A) Each layer should dry faster than the previous B) Each layer should be darker than the previous C) Each layer should be thinner than the previous D) Each layer should have more oil than the previous
A) Yellow B) Red C) Green D) Blue
A) Applying a broken layer of paint B) Removing paint with a cloth C) Blending two colors together D) Applying paint thickly
A) Applying paint thinly B) Removing paint with a cloth C) Blending two colors together D) Applying paint thickly
A) To hold the brushes B) To protect the canvas C) To help compose the scene D) To mix paints
A) Objects have sharper edges in the distance B) Objects fade into the distance C) Objects are more detailed in the distance D) Objects appear brighter in the distance
A) Green B) Violet C) Orange D) Blue
A) Mixing and applying paint B) Stretching canvas C) Thinning paint D) Cleaning brushes
A) A layer of gesso B) A thick, opaque layer of paint C) A mixture of paint and varnish D) A thin, transparent layer of paint
A) Turpentine or mineral spirits B) Water and soap C) Acetone D) Bleach
A) To prepare the surface for painting B) To create texture C) To protect the painting from UV light D) To add color to the canvas
A) The actual color of an object B) The color created by mixing two colors C) The color of the shadows on an object D) The color of light reflecting off an object
A) Wet-on-wet painting B) Painting in layers C) Painting with a palette knife D) Painting from a photograph
A) Blue B) Orange C) Green D) Yellow
A) To create color harmony B) To save money on paint C) To speed up the painting process D) To create a more realistic painting
A) Recycled B) Burned C) Soaked in water and sealed in a metal container D) In the regular trash
A) To alter the properties of the paint B) To create a more realistic painting C) To protect the painting from UV light D) To add texture to the canvas
A) A textured underpainting B) A full-color underpainting C) A monochrome underpainting D) A transparent underpainting
A) Yellows B) Blues C) Umbers D) Reds
A) Lower cost B) Faster drying time C) Greater color intensity D) Easier to blend
A) Thins the oil paint B) Speeds up the drying time of oil paint C) Thickens the oil paint D) Slows down the drying time of oil paint
A) The effect of atmosphere on distant objects. B) The perspective of objects seen from above. C) The technique of painting clouds. D) The use of perspective lines to create depth.
A) Ensuring the paint is completely dry. B) Varnishing in direct sunlight. C) Applying a thick layer of varnish. D) Using the correct type of brush.
A) To paint the subject from memory B) To paint the subject in a very detailed manner C) To paint the subject quickly D) To paint the subject at its actual size
A) The intensity of a color. B) The saturation of a color. C) The hue of a color. D) The lightness or darkness of a color.
A) The sky B) The water C) The foreground D) The trees
A) A layer of varnish. B) A thick, impasto layer of paint. C) A technique for cleaning brushes. D) A very thin, diluted layer of paint. |